Showing posts with label Journalism. Show all posts
Showing posts with label Journalism. Show all posts

Friday, March 18, 2016

Do You Want To Report on the Fes Festival 2016?


Are you an experienced journalist who loves music and wants to visit Fez? Join The View From Fez team to cover the Fes Festival of World Sacred Music from 6th to the 14th of May, 2016

The View From Fez is the only English language media partner of the Fes Festival of World Sacred Music and we pride ourselves on posting reviews and stories about concerts and events the same day they occur. We are also the only media outlet to offer comprehensive coverage of the Festival on a daily basis, including the afternoon and evening concerts, Sufi nights, the Fes Forum, fringe events and the magical atmosphere in the city.

We are looking for someone who can write clear, concise and entertaining copy accurately and fast, and take publication quality photographs, to be part of our team for the nine days of the Festival. Some musical knowledge is essential. Spoken French would be handy, but you may be able to manage without it.

We will cover your expenses to fly from the UK or Europe, (or subsidise a flight from the US or anywhere else); accommodation and food plus a media pass to all the events at the Sacred Music Festival. Being a blog and not a major news organisation, we can't offer additional payment, however, we can promise an extraordinary experience and the fun of being part of a dynamic team for nine days.

See an example of our style and coverage here: Fes Festival 2015

For further details, please contact our Features Editor Suzanna Clarke at The View From Fez.



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Monday, April 06, 2015

Do You Want To Report on the Fes Festival 2015?


Are you an experienced journalist who loves music and wants to visit Fez? Join The View From Fez team to cover the Fes Festival of World Sacred Music from Friday 22 – Saturday 30 May, 2015



The View From Fez is the only English language media partner of the Fes Festival of World Sacred Music and we pride ourselves on posting reviews and stories about concerts and events the same day they occur. We are also the only media outlet to offer comprehensive coverage of the Festival on a daily basis, including the afternoon and evening concerts, Sufi nights, the Fes Forum, fringe events and the magical atmosphere in the city.

We are looking for someone who can write clear, concise and entertaining copy accurately and fast, and take publication quality photographs, to be part of our team for the eight days of the Festival. Some musical knowledge is essential. Spoken French would be handy, but you may be able to manage without it.

We will cover your expenses to fly from the UK or Europe, (or subsidise a flight from the US or anywhere else); accommodation and food plus a media pass to all the events at the Sacred Music Festival. Being a blog and not a major news organisation, we can't offer additional payment, however, we can promise an extraordinary experience and the fun of being part of a dynamic team for eight days.

For further details, please contact our Features Editor Suzanna Clarke at The View From Fez.


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Thursday, November 20, 2014

Press Freedom in Morocco ~ An Important Step Forward


Morocco is currently debating a new press code meant to reinforce press freedom throughout the Kingdom. The draft code, presented last month by Minister of Communications Mustapha El Khalfi, lays out a bold reform plan that, when passed, should mark a big advancement for press freedom in Morocco
Communications Minister Mustapha El Khalifi

Caitlin Dearing Scott, writing for All Africa.com, reports that the draft code centres on strengthening the guarantees of freedom and the independence of journalists and press institutions; protecting the rights and freedom of individuals and society; making the judiciary the exclusive authority in all press cases and strengthening its role in the protection of freedom of the press; and defining the rights and freedoms of journalists.

Notably, the code proposes:

Guaranteeing the right to access information;

Guaranteeing strict legal safeguards to protect journalists from attacks;

Establishing a mechanism to mediate disputes in the press through the National Council for the Press, which will include representatives of civil society'

Adopting judicial protection of confidentiality of sources;

Removing prison sentences for journalists and replacing them with moderate fines; and

Eliminating the suspension or prohibition of publications without the approval of the court.

The code also includes a section on promoting rights and freedoms for online media, a sign of its intent to respond to changing realities in the Moroccan media.


The project to update the press code is the result of broad consultations that began in 2012 among the government, professional journalist organizations, unions, media representatives, and the National Council for Human Rights.

It reflects Morocco's domestic and international commitments with regard to human rights and freedom of the press, as well as: the 2011 constitution; high royal directives; the government's program; the National Action Plan on democracy and human rights; the recommendations of the Equity and Reconciliation Commission (IER); and the recommendations of the White Paper on the national debate "Media and Society."

The code was drafted by a Committee in consultation with union and media representatives, notably the National Union of the Moroccan Press (NMFS), and the Federation of Moroccan Newspaper Editors (FMEJ), and is now being considered through a national dialogue conducted by the General Secretariat of the Government.

Following the conclusion of the national dialogue later this month, the draft will be submitted to the Council of Government, then to the two chambers of Parliament. It remains to be seen what changes will result from this collaborative effort, but the draft code looks like an important step for Morocco's ongoing liberalization and democracy-building efforts.


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Saturday, December 14, 2013

What's in a Name? - Move to Change National Press Agency Name


For years few people took notice of the fact that Morocco's official press agency was called Maghreb Arab Press (MAP) but now it appears that the word "Arab" is no longer politically correct and a member of the government is setting out to make changes that reflect the diverse nature of Moroccan society

El Khalfi:  in the House of Representatives

Communications Minister Mustapha El Khalfi suggested the need for a change while speaking in the House of Representatives during a meeting of the commission on education, culture and communication.

El Khalfi said that a change would be," consistent with the constitution."

The MP  said he was dissatisfied with the existence of the word Arab in the name of the MAP , wanting therefore that this word should be deleted. The word Arabic , according to the MP,  excludes other Moroccan identities as enshrined in the constitution - Amazigh , Andalusian , African and Hebrew . As a result, the MP,  proposed that the Moroccan News Agency be called Morocco Press Agency. We await developments...

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Friday, June 07, 2013

The View From Fez Team Expands for the Fes Festival


The Fes Festival of World Sacred Music 2013 opens today. To keep you up to date with what is going on during the action packed eight days to come, The View From Fez team has increased to a team of five, plus additional reporting by three other writers.

From left: Sandy McCutcheon, Natasha Christov, Suzanna Clarke, Stephanie Clifford-Smith and Vanessa Bonnin

Regular editors, writers and photographers, Sandy McCutcheon and Suzanna Clarke, have been joined by journalist Stephanie Clifford-Smith, writer and reviewer Natasha Christov, and photojournalist Vanessa Bonnin. Also adding their voices to the mix will be blogger Gabe Monson; academic Justin McGuinness and other guest contributors.

We will be bringing you daily coverage of each concert and associated festival events, including information about the performers, the flavour of the music, descriptions of the atmosphere at the venues and audience opinions. Each day we'll publish a program to make sure you catch the best of the Fes Festival of World Sacred Music 2013. 


Stephanie Clifford-Smith

Journalist Stephanie Clifford-Smith has flown in from Australia to Morocco to lend her extensive experience to The View From Fez during the festival. She has worked for prestigious newspapers The Sydney Morning Herald and The Age for more than 25 years; has a regular food column as well as writing travel articles and features, and has written two non-fiction books. 

Born in Sydney, Stephanie says that at school she was often accused of "writing like a journalist". After completing a degree in Art History at the University of Sydney, she spent two years in London. On returning to Sydney and having her first child, she decided to try her hand at journalism professionally and was "shocked" to have the first article she submitted published in the Sydney Morning Herald's Style section. 

Fifteen years of covering medical matters followed, before Stephanie moved on primarily to food and travel writing. As well as the Sydney Morning Herald and The Age, her stories have been published in The Australian, The Sun Herald and Qantas Magazine

"I'm very excited to be in Morocco," Stephanie says. "It's been on my list of 'must-go' places for some time. And it's great having a focus, rather than just travelling around. The festival program looks very diverse. There is all sorts of music I will never have heard before."


Vanessa Bonnin

During the year, Vanessa Bonnin is better known in Fez as the charming host at Dar Roumana, where she and her husband Vincent Bonnin run a guesthouse and one of the city's best restaurants. However, Vanessa has other skills. She has a degree in journalism and this is the second year she has written for The View From Fez during the Fes Festival of World Sacred Music

Born in Perth, Australia, Vanessa moved to England with her family when she was 15. Leaving to go travelling at 19, she visited Egypt and then backpacked around Australia. She returned to the UK two years later and met her husband Vincent while working at a hotel in Tunbridge Wells, where he was a chef. The couple emigrated to Australia, and Vanessa completed a degree in journalism and photography at Perth's Curtin University. After she graduated, the couple moved to Melbourne where Vanessa worked on the newspaper The Leader for three and a half years. 

"Then Vincent and I then worked on yachts to save some money to buy property," she says. "One day I was reading the newspaper and saw an article about property in Morocco. So we came to Fez and found the house we wanted on the second day." 

Vanessa's first experience of the Fes Festival was four years ago. "It opens a window onto the world of music you would never otherwise experience," she says. "And working with The View From Fez, I get to research the musicians in greater depth." 

Also joining the team is Natasha Christov is a new resident of Fez and has been a blogger and music reviewer. Born in Melbourne, Australia, she studied Media and Communications at the University of Melbourne. While at University, she wrote music reviews for the website In the Mix and for a radio station, which gave her an insight into the local contemporary music scene.

After graduating, Natasha worked in marketing, managing a blog, Facebook page and external communication for a luxury retail store. During her annual leave she travelled to Morocco in 2010. She liked Fez so much she has returned every year since, and decided to relocatepermanently last month to manage a traditional Moroccan guesthouse.

Natasha says that writing about the Fes Festival will give her the opportunity to combine her love of Fez, music and journalism.

"Music is almost like breathing," she says. "You may not be able to speak someone's language, but if you hear the same song, it's an immediate communication."

The View from Fez is an official Media Partner of the Fes Festival of World Sacred Music
Festival information, map, restaurants - Click here

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Sunday, April 14, 2013

Want to report on the Fes Sacred Music Festival?


Are you an experienced journalist who loves music and wants to visit Fez? Join The View From Fez team to cover the Fes Festival of World Sacred Music from June 7 - 15



The View From Fez is the only English language media partner of the Fes Festival of World Sacred Music and we pride ourselves on posting reviews and stories about concerts and events the same day they occur. We are also the only media outlet to offer comprehensive coverage of the Festival on a daily basis, including the afternoon and evening concerts, Sufi nights, the Fes Forum, fringe events and the magical atmosphere in the city.

We are looking for someone who can write clear, concise and entertaining copy accurately and fast, and take publication quality photographs, to be part of our team for the eight days of the Festival. Some musical knowledge is essential. Spoken French would be handy, but you may be able to manage without it.

We will cover your expenses to fly from the UK or Europe, (or subsidise a flight from the US or anywhere else); accommodation and food plus a media pass to all the events at the Sacred Music Festival. Being a blog and not a major news organisation, we can't offer additional payment, however, we can promise an extraordinary experience and the fun of being part of a dynamic team for eight days.

For further details, please contact Suzanna Clarke at The View From Fez.

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Tuesday, August 21, 2012

Morocco's Amazigh Migration - a Tradition Under Threat


To get to the little village of Ait Youl from Marrakech takes around eleven hours. It is the starting point for a migration that has taken place for probably more than 4000 years. Sadly, the migration may well become a thing of the past.


Ait Youl kasbah

Ait Youl, is nothing special. Surrounded by mountains, it is a hot dry place with a riverbed conaining very little water. Yet between Ait Youl and the high alpine area around is just a dry riverbed surrounded by mountains in every direction. The journey up to Ait Ouham takes days and involves a climb from 1600m to around 3000m. For visitors this is a one-off trip. The Elyyakoubi family make the journey twice a year.

Travelling with around 200 goats, 30 sheep, 11 camels, three donkeys and a mule makes for a slow journey, but it leaves plenty of time for contemplation of an endangered lifestyle. Hazel Southam has written a thoughtful piece in the The Guardian, and describes how deforestation and less rainfall mean that the migration may soon be a thing of the past.

Morocco's last Berbers on their 4,000-year-old annual migration: a tradition that is now under threat


At the picturesque stopping point of Tizi-n-Toudat in Morocco’s High Atlas Mountains, two hundred goats, 11 camels, 30 sheep and three donkeys graze along the steep slopes. In the nearby camp, tents are being erected for cooking and dining. Wood is being gathered. Mint tea is being brewed. And quietly, beyond the stream, one of the sheep is meeting its end to provide tonight’s dinner.

This is a scene from the bi-annual migration of Morocco’s nomadic Berber people, and the Elyakoubi family, whose livestock pepper the landscape, is following a route trodden by their ancestors for 4,000 years.

The reason for their migration is simple: the Berbers take their animals to the best grazing areas year-round. In winter, they traditionally roam on the mountains’ lower slopes where temperatures are warmer, and during the summer, they head up to the cooler plateaux, fleeing the heat in the aim of finding fresh pasture.

There is nothing arbitrary about the migration – the routes, stopping points and best places for grazing have been passed on down the generations. But this year, the Elyakoubi family trudge the route with heavy hearts, troubled by the thought that they will be some of the last to do so.

A crescent moon rises above the mountains in the late dusk as Izza Elyakoubi, 25, and her cousin Said, 15, bring the goats and sheep down from the slopes for the night. They herd them into a circular stone corral, where they will also sleep, at a height of 8,720ft above sea level.


Bringing them in late, Said says, means there’s more chance of getting some rest at night - hungry sheep wander off, but those with full stomachs stay put. As they get little more than an hour’s sleep per night during the migration, the family do everything they can to ensure those few extra minutes of rest.

Said has been shepherding for three years and has never been to school. He will be the first generation of his family to live a life outside nomadism. “I would like to do something else,” he says, over a glass of mint tea. “I’d like to be a farmer and grow barley and almonds, figs and vegetables.

“It’s getting difficult to live like this. It’s getting tougher every year. We need to buy in straw and barley for our animals, which we never had to do in the past. It’s the third year we’ve had to do that, because there’s not been enough rainfall. I’d feel bad about settling in a village, but I’d get over it. I’m more scared of working in this life until I’m old.”

A mix of climate change and deforestation means that there is now less water and grazing for the herders. They have stopped here at Tizi-n-Toudat not because it’s a pleasure to soak their tired feet in the mountain stream, but because it’s one of only three places to water the animals on the six-day, 60 km journey.

Just 30 years ago, things were very different. Much of the lower slopes were forested, largely with juniper trees. Barbary sheep (a goat-antelope creature with considerable horns) roamed the woodlands, as did wolves. “It was beautiful,” recalls Baichou Elouardi, a former nomad who now cooks for tourists on the migration.

“In the past there were trees, there was rain and if there was nothing to eat on the ground, the camels and goats could eat the juniper leaves. So they could keep going,” he says. “Now when you have a bad year of weather you have to buy feed. This is the end of life for us.”

The group walks for five days before seeing a lone juniper tree on the mountainside. The rest, we are told, have been cut down for fuel and building.

The nomads’ problems are compounded by the forecasts of a World Bank report published in 2009, which predicts further significant changes in weather patterns. By 2050, rainfall in Morocco may be reduced by 20 per cent, with a 40 per cent drop possible by 2080.

The Berber people are tough and resourceful, but this mix of climate change and deforestation has taken its toll. In 1988, some 410 families made the bi-annual migration. Today, there are just 15 families, including the Elyakoubis.

Only tourism works towards maintaining this vanishing way of life, according to Mohamed, 32, the head of the Elyakoubi family (pictured right). After this year’s cold, wet winter killed half his new-born goats, he took the decision to bring tourists on the migration to help feed his family. “If there are good years [for rainfall] and there are lots of tourists, we can keep going,” he says. “But with no grass, tourism is not enough.”

Tonight Said, Izza and Baichou dine on kebabs cooked over an open fire, lamb tagine, rice, salad and finally, slices of melon, washed down with verbena tea from tiny glasses. But they would not have such a meal without tourists. Though surrounded by sheep and goats, meat is seldom on the menu, and their usual diet consists mainly of tea, bread, oil and couscous.

The need to get to good grazing areas dictates the migration’s route. Another family, also camped at Tizi-n-Toudat, is hosting a small group of German tourists. The British tourists with the Elyakoubis are instructed to rise at 6am the following morning to ‘beat the Germans’.

Initially they laugh, thinking this is a joke about their countries’ old historic rivalry. But the command is not to entertain the tourists. If the Elyakoubi family are not the first to arrive at their next stop, they won’t get the pick of the grazing or camping positions.

The terrain the nomads cover is tough. At best they follow narrow sheep paths. At worst they climb over boulders for five-and-a-half hours, in a literal uphill struggle. “I spend all day throwing stones at the sheep to guide them,” says Said and Mohamed’s mother Aisha, 46. “My arm aches. [The tourists] may like this way of life, but for us, it’s difficult.”

The dry terrain below Tiz-n-Toudat

Said, Izza, Aisha and Mohamed arrive at the Oulmzi Plateau, their home for the summer. The trek downhill to the village of Oulmzi Plateau is a vision of what the mountains were like three decades ago. Juniper trees line the route and in the village itself, irrigation channels water cherry, plum, walnut and apple orchards.

Oulmzi Plateau

Mint, turnips, potatoes and spring onions grow amid vividly green terraces of barley, wheat and oats. Thyme, euphorbia and poppies grow by the pathway. “At that time it was not a difficult life,” says Aisha Ouaziz, a 69 year-old former nomad who now lives in the village. ‘There was grass, milk and butter and lots of goats and sheep.”

“The mountains gave us enough to eat,” she says. “We worked hard and ate well. Now, we don’t want to be nomadic. It’s not a good life anymore.”

Images by Clare Kendall

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Thursday, August 16, 2012

Myth-busters - Jimi Hendrix in Essaouira


Back in November, 2010, The View from Fez ran a story exploding the Jimi Hendrix industry in Essaouira (see our story here). Sadly, it takes a lot more exposure than that to kill off a myth that has become so well grounded in modern folklore. Thankfully, we can report that another New Zealander is myth-busting as well. Graham Reid, writing for the New Zealand Herald visited Essaouira and reports...



A few kilometres south of the busy, breezy port town of Essaouira on Morocco's Atlantic coast is the dusty village of Diabat, famous for one thing. In mid-1969, Jimi Hendrix didn't go there.

Not that the owner of the local cafe would admit to that. Quite the opposite.

The cafe - which played an endless loop tape of Bob Marley while we had coffee and cake on a warm morning - is daubed with extremely poor likenesses of Hendrix's distinctive features and slogans about his visit to the area.

Inside, the walls of two tiny rooms are covered with equally bad Jimi images and slightly water-damaged photos of Hendrix.

Just across the mostly deserted road, where donkeys amble listlessly, and beyond the dunes and low shrubbery, are the remains of an old fort known as Bordj El Berod.

Despite what many people believe, Hendrix didn't write his song, Castles Made of Sand, about it. Hendrix had recorded it some 18 months earlier.

Yes, there's a lot of enjoyable Hendrix myth and misinformation in the dry air at Diabat.

On the day we visited - a 30 dirham taxi ride from Essaouira, about NZ$4.50 - local kids kicked a football on the empty road and a few workmen, perhaps from the site of the golf course and Sofitel being built near the Jimi Hendrix Hotel, dropped by to sit in the cool of the cafe.

A couple of senior Germans, curious like us, amused themselves by taking photos of the run-down, if colourful, cafe between sips of sweet mint tea.

Stories about Hendrix in Essaouira and Diabat abound and it seems there were once enough gullible hippies who romantically traipsed down here following his imagined footsteps in search of... whatever it was hippies were in search of.

The facts about Hendrix in Morocco are more prosaic.

He did briefly stay in nearby Essaouira according to the most reliable sources (not in the hotel which claims he did), but he neither made music there, nor fathered children there, as legend would have it.

He seemed to have had a pretty quiet time, then flew back to the States and got a band together for the Woodstock festival in August.

As Deering Howe, who accompanied Hendrix on his brief visit to Morocco, told Hendrix researcher and biographer Caesar Glebbeck, "The people of Morocco have never recovered from Jimi's visit and the tales are remarkable. Like George Washington, he slept in everyone's house around the Moroccan countryside!"

Hendrix never went to tiny Diabat, which must have been even smaller and more remote 45 years ago, let alone had coffee in the cafe or wrote a song about the ruin.

No matter, the Hendrix cafe is there and from its tiny kitchen - the oven not much longer than a guitar case - the owner prepares meals and excellent coffee. He's used to cameras being pulled out too. Quite likes the attention.

Later - because after coffee and photos there's nothing else to do - we walked to the beach past landfill, donkeys and goats, a putrid river and abandoned building sites. It was hot by the time we reached the broad, white sand strip so we sat and watched kite surfers and men with camels exhorting the few tourists to take rides.

It was a lovely, rather different day out in coastal Morocco and over coffee we had made a list of others who, like Jimi Hendrix, had not been to arid little Diabat.

No Beatles nor Rolling Stones, no Borgias, not Nero, a Pope or a US president, not Hitler, Stalin, Bob Dylan, Leonard Cohen...

When you think about it, dusty little Diabat has a whole lot more it could trade off when selling the idea of who has not visited.

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Friday, July 27, 2012

Another Side of Marrakech

Writing for the New Zealand Herald, Graham Reid has produced an article worth reading.  He avoids all the usual cliches and finds another Marrakech worth exploring



Marrakech: Souk city by night

As anyone who has had the good fortune to go will tell you, Marrakech is a city of noise, especially in the grand central square.

By day, snake charmers and fortune tellers call for attention, motor scooters blast past, cars on the unmarked road around the perimeter sound their horns, fruit and vegetable sellers shout invitations at you to sample from their attractive displays, Berber musicians play impromptu sessions and people hold animated conversations.

At night, when the restaurant tables are set up, it happens all over again. But more of it, and louder.

Little wonder then that many retreat to rooftop cafes and restaurants to eat meals prepared in the ubiquitous tagines and sip mint tea in the quiet.

But there is another Marrakech. The silent city.

Late at night after the tourists have drifted away, when the restaurant tables have been stacked in a corner and the musicians are nodding down into low, trance-like rhythms, the lanes and blind alleys off the square - crowded by day with merchants, donkey cars and scooters - are deserted.

The wares have been stowed away and the narrow lanes now appear as wide as streets under the jaundiced glow of intermittent light bulbs and flickering fluorescent tubes. Once familiar lanes now look disorientingly different. This is a world owned by wandering cats and old men sleeping in doorways.

Photo: João Pedro

Footsteps echo off stone walls and heavy wooden doors, locals retreat to the inward-looking homes and riads. Marrakech can be eerily silent.

Like Venice in winter when the stones freeze to the touch and black canals are as still as death, Marrakech at midnight and beyond is a very different world.

Up ahead in a lane an unseen door closes with a low thud, down an alley hooded figures move into fuzzy pools of light and disappear again as they sink into deep shadow, a bundle of rags moves as an old man shifts into a more comfortable position.

The smells of the day - incense, spice and the dusty odour of old material and wood - seem to have disappeared into the black sky above the lane's webbing of sticks and tattered cloth. The world here is now still. A distant radio brings the barely audible sound of an exotic song, disembodied in the night.

For the late stayer, or early riser who gets into the alleys and lanes before merchants open their doors and unload wares onto the street and the calls to prayer started to echo above, Marrakech can reveal itself in a very different way.

Early one morning we walked as sleep rubbed itself out of the eyes of cool lanes. Unused to seeing tourists out at this time, vendors smiled and chatted with no thought to making a sale so early. And we were waved into a place we might otherwise never have seen.

We entered a huge store stacked floor to ceiling with Berber artefacts, bad knock-offs of Salvador Dali paintings, multicoloured shoes filed on a wall like abstract art, leather goods, pots and pans, jewellery, lamps, hookah pipes, mirrors in chequerboard frames and glassware. It was as if the exotic loot of the world had been stored in a warehouse. This was a living market yawning into the dawn as the owner shuffled around and women swept the floor.

No one tried to sell us anything, so we lingered undisturbed.

Later in the day, by chance, we passed the same place. It now seemed unrecognisable. Outside were stacks of doors and mirrors, people cajoling tourists to come inside (none did that we saw) and a sense of urgency which hadn't been there previously.

Marrakech seemed like that most of the time, urgent and busy. But Marrakech can be as quiet as it is noisy for those who make time to find the silence.

See the original article here: New Zealand Herald

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Thursday, June 07, 2012

Fès Festival Announces Partnership with The View from Fez


Director General of the Spirit of Fes Foundation, Faouzi Skali, today announced the Fès Festival's first ever Media Partnership between the Festival and a blog - The View from Fez.


Director General of the Spirit of Fes Foundation, Faouzi Skali

In many ways the partnership between the Festival and The View from Fez is a natural union. Over the years The View from Fez has devoted more stories and photographs to each Fes Festival than any other media outlet.  For example there were 39 festival related stories in 2009, 52 in 2010, 62 in 2011. The blog is read around the world and has amassed nearly two million page views. It is also syndicated by Lonely Planet.

"We are absolutely delighted by the development. Over the years the Fès Festival of World Sacred Music has become our favourite festival and also the one on which we expend a huge amount of time and energy. Covering so many events can be a logistical problem, but, over the years we have been blessed by having a dedicated team and this year will be no exception. This partnership will certainly be of great assistance to our team" - Sandy McCutcheon, The View from Fez

The View from Fez aims to give a complete picture of the many exciting activities surrounding the festival. We cover not only the main festival events,  but also look behind the scenes and around the fringe of this creative and vibrant event.

On the practical front, the team publishes Medina and venue maps, lists of places to eat close to concert venues and updated Festival news and weather information for Festival visitors.

At the 2012 Fès Festival The View from Fez will be represented by the Editor-in-Chief, Sandy McCutcheon, Arts Editor and photojournalist, Suzanna Clarke, writer and photographer, Vanessa Bonnin and Specialist Music Correspondent, Philip Murphy.


The View from Fez Team
(L-R - Sandy McCutcheon, Suzanna Clarke, Vanessa Bonnin, Phil Murphy


The View from Fez would like to express its profound thanks to North America & Asia Representative and Festival and Forum Director, Zeyba Rahman, for her tireless energy and wise counsel.

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Friday, June 01, 2012

Unique Journalism Opportunity for Young Moroccan Women



In partnership with the U.S. Embassy and the Institute for Cinema and Audiovisual Specialists (ISCA) in Rabat, U.S. NGO Global Girl media (GGM) is looking for candidates to take part in a unique new media journalism training program.



This is a chance to participate in a specialized training session on MOJO (Mobile Journalism and Blogging), along with a dozen other young women aged 18-22 delivered by GGM at ISCA, Rabat end of August – mid September. Finalists will be trained and mentored to be active citizen journalists in Morocco. Act fast on this unique opportunity! Nomination deadline is June 4th, 2012 - Click here for form and selection criteria.

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Monday, September 19, 2011

Ethical Travel and Food Writing ~ update


Following our popular story on unethical travel writing (see story here) we have this timely advice from the highly respected Alison Bing from Lonely Planet.

 Don’t act like a food critic

At New York’s Momofuku Noodle Bar, I observed a food blogger photographing dishes, taking notes at the table and loudly drawing comparisons to dishes by other chefs. This is a rookie mistake, guaranteeing a strained dining experience for everyone involved. Staff hover over your shoulders, with shaky hands and false cheer – forget getting a straight answer about which dishes are better than others. Dinner conversation is peppered with interruptions, introductions and quasi-interviews, and over-salted with interrogations about why you didn’t finish your garnish … or maybe that’s just the nervous chef, sweating into your food. Reviewing restaurants anonymously for Lonely Planet ensures I get treated like any other customer, which means I occasionally get hot dishes served cold, microwaved until molten or deep-fried twice (ouch) – but it sure beats the awkward alternative. And when that freshly baked moment of joy arrives on a platter, it’s a sincere expression of the cooks’ talent, the farmers’ diligence, your hosts’ generosity and a shared love of food that gathers us around tables, around the world.

Sunday, September 18, 2011

Travel Writers Beware ~ a cautionary tale from Morocco


It is standard practise for reviewers to not reveal to a restaurant or hotel that they are doing a review. To do so negates the purpose of seeing the business as the clients they are writing for would. It is considered unethical - even more so if the motivation is to get a free meal, service or accommodation.

If a reviewer is a well known identity, then they often book under an assumed name and there are cases where they have even adopted disguises so a business does not know they are being reviewed.

It is the same story for the publishers of the better travel guides. They have clear ethical guidlines.

"They (our authors) don't take freebies in exchange for positive coverage so you can be sure that the advice you're given is impartial" - Lonely Planet

We will leave it to you to imagine our reaction when we came across the following quote in an article by a person purporting to be a travel writer. To compound matters, the article was syndicated on the website of a major guidebook company - and one that has very high ethical standards.

We will not shame the writer by disclosing his identity. Here is what he wrote about a hotel in Morocco...

Breakfast (a simple one I was told) was 17 Euros per person – which is roughly triple what a great breakfast costs at the cafe down the street. Even when I told them I was doing a review for a third party, their reaction was stolid – which on one hand I admire, but on the other was just such incredibly mercenary bad business practice that I’m certain my jaw dropped. Frankly, if someone tells me they are reviewing me – I would at least offer to provide them with complimentary breakfast so they could write about it (and a complimentary dinner for that matter) but these guys – no way.

If reviewers all acted like this, then the public's faith in reviewers would be lost. With the current controversy over fake reviews on Trip Advisor it is even more important that would-be reviewers maintain the highest standards.


Thursday, August 18, 2011

Another blogging win for Fez !





The View from Fez has been chosen to receive a Iglu 2011 Blog Award. It came as something of a surprise as we had not entered. However,the judges wrote...

The team at Iglu selected a list of hundreds of contenders for this award, before whittling them down to just ten. The ones in this section are here because they represented their country in such an admirable way. Without sites like these, the world would be a more inaccessible place.

Country guides make any journey easier as they consolidate the information into one convenient package. These are clever information portals that will help show you how to get around, find a bed, feed yourself and generally enjoy the culture. It also helps you identify where money can be saved, and how to look after yourself and your property. The Iglu awards have gone to those country guides which really take you by the hand and show you the sights.

So without further ado, we've compiled the top ten. These have passed through the hands of our team of experts, and have been picked out of the initial shortlist of many hundreds of country guide blogs. Obviously if you want to to go Zimbabwe, these blogs won't be of enormous help. But for prospective tourists or even the curious, the blogs down here are truly in a league of their own.

http://www.iglucruise.com/igluawards2011/categories/winners/country-guides.htm

Once again, I would to express my congratulations for your well-deserved recognition.




Thursday, July 07, 2011

The Fez Declaration on Media and Information Literacy



Back on June 15, The View from Fez reported that Fez was to host an international conference ~ 'women and new media in the Mediterranean'. Well, the conference has been held and after a period of time for reflection has posted its initiatives. Happily, we can report on some very positive outcomes.

The First International Forum on Media and Information Literacy (MIL) was organized through partnership among UNESCO, the Sidi Mohamed Ben Abdellah University (Morocco), the Islamic Education, Scientific and Cultural Organisation (ISESCO), the Arab Bureau of Education for the Golf States (ABEGS) and the United Nations Alliance of Civilizations (UNAOC) and other partners. It was held from 15 to 17 June 2011 in Fez, Morocco, under the auspices of His Majesty King Mohammed the Sixth.

This Forum was the first of its kind at the international level to examine media and information literacy as a combined set of competencies (knowledge, skills and attitudes). Issues relating to importance of media, Internet and other information providers and their impact on learning, cultures and public opinion, as well as the empowering effect of MIL practices and global Internet governance were among the main topics discussed at the Forum.

Over 200 participants representing all regions of the world, including educators, information and media experts, civil society actors and social scientists, gathered to discuss MIL and share experience and knowledge.

The Fez Declaration, fully endorses the far-reaching vision that today’s digital age and convergence of communication technologies necessitate the combination of media literacy and information literacy in order to achieve sustainable human development, build participatory civic societies, and contribute to the consolidation of sustainable world peace, freedom, democracy, good governance and the fostering of constructive intercultural knowledge, dialogue and mutual understanding.

They call on all stakeholders to reaffirm their commitment to initiatives relating to MIL.

In connection with this event, the MIL Curriculum for Teachers launched at the Forum was translated into Arabic and French, and the Arab Region’s Consultation on Adaptation of the Curriculum was organized. Participating countries from the region included Egypt, Iraq, Jordan, Kuwait, Lebanon, Oman, Palestine, Saudi Arabia, Yemen and Morocco. A plan of action is being consolidated for piloting of the MIL Curriculum in teacher training institutions in Morocco, Lebanon and Oman. Discussion is on-going with other countries in the region.

In addition, the first International University Network on MIL and Intercultural Dialogue was launched through a partnership with the United Nations Alliance of Civilization. This will facilitate follow-up on the recommendations of the Forum and particularly the Fez Declaration on Media and Information Literacy. The Network on MIL and Intercultural Dialogue includes universities from Australia, Brazil, China, Egypt, Italy, Jamaica, Morocco and Spain.

Wednesday, June 15, 2011

Fez to host international conference ~ 'women and new media in the Mediterranean'


Between June 24-26 Fez will host an international conference on "women and new media in the Mediterranean," with the participation of experts and academics from over 20 countries. The meeting, held at the initiative of ISIS center for Women and Development, will examine gender issues and new media, as well as the relation between women, written languages and mother tongues.


Morocco's leading feminist academic, Fatima Sidiqi (pictured above) will play an important role at the conference. (Find out more here - Fatima Sidiqi )

The participants will also discuss "the growing impact of new media in the Mediterranean," "the virtual activism of young women in the Mediterranean: internet, facebook, and blogosphere," "languages, education and new media in the Mediterranean," and "the influence of new media on gender relations in Mediterranean societies."

A workshop on "new media and gender equality in Morocco" will also be held as part of the conference. It will gather several Moroccan and international civil society activists.

Tuesday, October 26, 2010

You have to love an "oops"!


From time to time I have used my commentator and opinion role on the View from Fez to bemoan the orientalist nonsense that gets perpetuated by the mainstream media when it writes about Morocco. However, this time, it is just a chuckle.


The National Review Online's man in Marrakech has started a small "brush fire" as my American friends call it. In his Marrakech Journal he wrote: The Star of David is the symbol of Morocco. It’s woven into everything, including the logo of Royal Air Maroc. For some reason, I have a feeling they don’t call it the Star of David in Morocco.

Naturally, his readers were quick to point out that counting the number of points on a star will assist in naming it. Quite right too.

Then there was this: Finally, want to tell you this: All over the Medina here in Marrakech this morning, I saw the word “Derb” — meaning “Dead End.” I am sure his readers will point out the correct translation at some point. Anyway, on the upside, Jay Nordlinger does bring an, er, fresh perspective. I don't know how long Jay will be amongst us, but let me be among the first to say "Welcome to Morocco, Jay".



Monday, July 05, 2010

Rolling Stone at Morocco's Fez Festival


For those who grew up immersed in the music culture of the late 1960s and early 1970s, Rolling Stone magazine was an essential way of keeping track of what was happening in the world of music, politics and popular culture. Based in the USA, Rolling Stone is published every two weeks and, after some criticism about going "down-market" in the 1990s, it is now back on track.

Rolling Stone was founded in San Francisco in 1967 by Jann Wenner (who is still editor and publisher) and music critic Ralph J. Gleason. To get the magazine off the ground, Wenner borrowed $7,500 from his family members and from the family of his soon-to-be wife, Jane Schindelheim. Rolling Stone magazine was initially identified with and reported on the hippie counterculture of the era. However, the magazine distanced itself from the underground newspapers of the time, such as Berkeley Barb, embracing more traditional journalistic standards and avoiding the radical politics of the underground press. In the very first edition of the magazine, Wenner wrote that Rolling Stone "is not just about the music, but about the things and attitudes that music embraces." This has become the de facto motto of the magazine.

That Rolling Stone should cover the Fez Festival of World Sacred Music was a real plus as many of its readers would otherwise never have heard of the festival. Rolling Stone's man at the festival was the easy going Mark Kemp (pictured right) who threw himself into the festival with obvious delight.

The View from Fez has not yet obtained a print copy of the Rolling Stone issue with his work in it, but we can report that Kemp has assembled a tasty selection of photographs that now appear on the Rolling Stone online version under the headline MOROCCO'S FEZ FESTIVAL: PHOTOS FROM THE WORLD'S MOST ECLECTIC FESTIVAL !

You can see the full set of photographs HERE. Photographs are by Mark Kemp, Gerard Chemit and Frederic Poletti.


"One of the criticisms of the Fez Festival in past years was that the performances were too exclusive: not enough music was offered to local Moroccans who couldn't afford the big-ticket shows at Bab Makina and the Batha Museum. Organizers in recent years have added popular concerts held at the vast Bab Boujloud square next to the medina, which can hold up to 10,000 people. In this photo, mostly local music fans wait for Moroccan Sufi star Abdellah Yaakoubi to perform on Saturday evening." - Mark Kemp.

Tuesday, February 02, 2010

Inclusive Journalism course in Tangier


Young journalists in Morocco can register for an inclusive journalism workshop in Tangier, which will discuss the importance of giving voice to all segments of society, and how to achieve diversity in reporting. The workshop will take place February 18 to 20.

Topics to be covered include: the importance of alternative sources; basic principles of reporting diversity; managing prejudice, avoiding stereotypes and the use of language; and the importance of building bridges with civil society.

The workshop will be taught by Richard Cookson, a journalist working for UK TV Channel 4, and Dr Abdelauahab Errami, a Moroccan journalism expert and professor at ISIC.

The workshop forms part of the Young Reporters' Diversity Network segment of the Media Diversity Institute's two year training program, designed to promote inclusive journalism in Morocco. The workshop is supported by the UK Embassy in Rabat.

For more information and to apply contact mona.elhamdani@media-diversity.org

Sunday, January 31, 2010

A setback for Moroccan press freedom.



Le Journal Hebdomadaire was known throughout Morocco for its strong stand against corruption and for its defence of freedom of the press. Now it is gone and on Saturday a court sealed its offices for failing to honour its financial commitments. Insiders say that the magazine owed over 5 million dirhams in social security contributions, taxes and bank loans.



Le Journal was first published in 1997 and soon made a name for itself with brave attacks on the dubious behaviour of some public officials. When the magazine began to expose the interior minister at the time, Driss Basri, who for 20 years controlled Morocco through a web of informants and ruthless security forces, commentators thought the magazine would be forced to close. However, in what was seen as a very positive sign, the new king dismissed him.

Issandr El Amrani, writing in The Guardian says, "Most of all, Le Journal tried to keep officials honest about the democratisation that they promised in speeches. It relentlessly campaigned for constitutional reform that would shift political power from the palace to parliament. For many of my generation of Moroccans, it provided a political education and an inspiring example of outspokenness".

Supporters and staff say that they had fallen victim to "finanical asphyxiation" and that the "authorities had spent years discouraging companies from advertising in Le Journal".

According to some sources a plan for a wealthy Moroccan businessman to buy the magazine then fell through at the last minute.

The government has defended its actions saying that a series of legal actions and fines against Morocco's press in recent years have nothing to do with freedom of expression but are simply a natural response to bad, poorly-sourced journalism and slander.

However, a statement press freedom group Reporters Without Borders said, "This judicial liquidation heralds the end of the first independent title in Morocco."