Friday, May 31, 2013

Veils and Turbans Exhibition in Fez


Tomorrow is the last day of the exhibition Veils and Turbans at the French Institute's Dar Batha. It's a must see for anyone who appreciates design, texture, fabric and cultural history writes Natasha Christov. 

Two words: dramatic and delicate. Michel Biehn’s latest exhibition, Veils and Turbans, unravels this seemingly dichotomous union within Islamic headdress and outerwear.

Soft, gauze-like fabrics in delicate cottons and silks drape from the 40-foot ceilings of the French Institute’s Dar Batha exhibition space, and the intricate designs and dye patterns transport visitors to a world of hidden identities, mysticism and exotic charm.


Featuring veils and turbans from Afghanistan, Azerbaijan, India, Pakistan, Tajikistan and Morocco, Biehn’s exhibition celebrates Islamic dress by dissecting its layers to reveal the fine artistic detail. Here, whisper-thin veils fringed with colourful beadwork and complex embroidery hang like t-shirts on a washing line, hinting at the utilitarian nature of these pieces.


Each item in Biehn’s exhibition is an artwork, and many have been painstakingly stitched, then layered to provide – in some instances – total coverage. Biehn’s selection of veils and turbans also gives visitors an insight into countries’ cultural nuances: for example, the niqab exhibited from Afghanistan in a beautiful cornflower blue leaves nothing uncovered – only a wide lattice-like stitch allows the wearer to see. Conversely, the women’s outerwear on display from Pakistan is made up of several different pieces in bold colours and embroidered designs that meet around the eyes.


Kelly-green and burnt orange fabrics with striking patterns separate the veils from the turbans, as if protecting the original wearers’ modesties. Biehn explains that the veil “protects the mystery of a woman ... whereas the turban is worn very differently. It symbolises potency”.



Turbans, including the classic Berber headdress seen in Morocco’s Saharan regions, can reach beyond six meters of fabric. Mohammed Khrou, 23, of Rissani, explains that these turbans provide respite from the harsh conditions of the Sahara, acting “like air-conditioning for your head and protecting your eyes from sandstorms”. Other turbans on display at Biehn’s exhibition are more ceremonial, featuring a taqiyah detailed with geometric embroidery, with a long cotton scarf sweeping dramatically around the head.

Michel Biehn’s exhibition is enlightening, and showcases how different Islamic cultures combine the beautiful intricacies of their countries’ designs and traditions to create their veils and turbans.

Veils and Turbans is on display at the French Institute’s Dar Batha tomorrow from 10 AM to 5 PM. Info: http://www.institutfrancaisfes.com

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Moroccan News Briefs #98

In this edition:
Airline News
France and Morocco to bolster cyber security cooperation
Design Study Trip to Fez this September
Discovery of Moroccan Plesiosaur Zarafasaura oceanis
Archaeological-Tourism?
Morocco and the question of "kif"
Morocco's economic growth set to rise
Two Moroccan police officers sentenced
More Art on Fes Festival Fringe
The Little Prince - a new museum



Airline News

Qatar Airways is increasing its capacity between Qatar and North Africa with its flights to Tripoli and Casablanca going non-stop, from this weekend. Effective 1 June 2013, scheduled services to the Libyan capital Tripoli will be de-linked from the Egyptian city of Alexandria ,offering additional seats to both cities.


On the same day, Morocco’s biggest city Casablanca will have direct non-stop services from the airline’s Doha hub. Currently the route is served via the Tunisian capital of Tunis. With the de-linking and re-introduction of non-stop flights, Qatar Airways is giving passengers travelling to the four North African cities with more choice and flexibility when planning their travels.

Passengers from the Asia Pacific, South Asia and Middle East and can now take advantage of a seamless one-stop connection to Tripoli and Casablanca via Doha. The Casablanca route is operated with an Airbus A330 in a two-class configuration of up to 248 seats in Economy and up to 36 seats in Business Class.

The Ukranians are coming - to Agadir

Another new airline route is causing a few concerns over visa requirements. Morocco has been asked to cancel visas for Ukrainian tourists. The Ukrainian Ambassador to Morocco, Yaroslav Koval, appealed to the Moroccan authorities with a request to optimize the procedure for issuing tourist visas to citizens of Ukraine in connection with the opening in June of direct charter air flights from Kyiv to Agadir.

During the meeting of the ambassador with the director of the consular department of the Moroccan Foreign Minister, the parties also noted the desirability of the abolition of visas for Ukrainian tourists.

The Ukrainian ambassador also expressed his gratitude for the decision of the Moroccan authorities to simplify the procedure for issuing residence permits to citizens of Ukraine, who permanently reside in Morocco.


Cyber attacks on the rise - France and Morocco to bolster cyber security cooperation.

At a time cyber attacks and cyber-spying are making the headlines almost every day and at a time cyber theft is rampant, France and Morocco have agreed to bolster their cooperation in cyber security matters and to enhance the capacity of national authorities in charge of information systems security.

The broad lines of this enhanced cooperation were set in a Memorandum of Understanding that was signed earlier this week not by the officials in charge of new information technologies but by the Moroccan junior Minister in charge of the national defense administration, Abdeltif Loudyi, and the Secretary General of France’s Defense and National Security, Francis Delon.

The MoU provides, in the context of a long-term cooperation, for the exchange of experiences, information and expertise and will also contribute to enhance the capacity building of the department in charge of the security of the State’s information systems and vital infrastructures. This department is under the tutorship of the national defense department.

The provisions of the agreement will be implemented on the basis of annual action plans convened by the two sides.

While France and Morocco were signing their agreement, press reports incidentally disclosed that Chinese cyber-spies have reportedly laid hands on designs of more than two dozen US major weapons systems, including advanced technology and programs critical to U.S. missile defenses and combat aircraft and ships. The Chinese cyber-thieves are also said to have stolen the plans of a new building designed to house Australia’s top counterintelligence organization.


Design Study Trip to Fez this September

Art of Islamic Pattern’s 2013 study trip is to Fez, and will comprise a four day intensive. Classes will take place in Dar Seffarine in the Medina.  Dar Seffarine has splendid examples of carved plaster, woodwork, zellij and zouaq (painted wood).

This study trip will include visits to some of the most remarkable architectural masterpieces in the Islamic world: the Bou Inania Madrasa (1356) and the Al-Attarine Madrasa (1331) and to other important hidden gems.

The course offers the opportunity to experience making geometric and biomorphic designs using traditional methods, on-site. There will also be a zellij (mosaic tiles) class at a local workshop in-which participants can produce their own pieces.

This is a mixed level course and open to both beginners and returning students. The venue is also booked for participants to lodge, although places are strictly limited and will be allocated on a first-come-first-serve basis. Participants should plan to arrive by Tuesday evening 17th September for a Wednesday 18th September morning start. The course ends on evening of Saturday 21st.

Details and info: http://artofislamicpattern.com/study-trips/fez-morocco/


Discovery of Moroccan Plesiosaur Zarafasaura oceanis

Sergio Prostak writing in Sci News says that paleontologists writing in the journal Paludicola report the discovery of exceptionally well-preserved skull and skeletal remains of the elasmosaurid plesiosaur Zarafasaura oceanis, the most complete specimen of this species ever described.

This is a life reconstruction of the elasmosaurid plesiosaur Zarafasaura oceanis (© Nobumichi Tamura

Plesiosaurs (‘near to lizard’ in Greek) are an intriguing group of extinct marine reptiles that roamed the vast seas of the Triassic, Jurassic and Cretaceous periods from 235 to 66 million years ago. Their fossils have been found on every continent on Earth, with key discoveries made in Australia, Europe and North America. There are several different families of plesiosaurs, including the Elasmosauridae, Microcleididae and Plesiosauridae.

Zarafasaura oceanis belongs to the family Elasmosauridae. The generic name Zarafasaura derives from zarafa, an Arabic word for ‘giraffe,’ and saurus, Greek for ‘lizard.’ The specific name means ‘daughter of the sea’ in Latin. Paleontologist Dr Peggy Vincent from the National Museum of Natural History in Paris, and her colleagues first described the species in 2011 from incomplete skull remains found in Morocco.

Zarafasaura oceanis was approximately 23 feet (7 meters) long and lived around 72 to 66 million years ago.

The new, well-preserved specimen of Zarafasaura oceanis was unearthed in a phosphate mine near the Moroccan city of Oued-Zem. But the specimen did not remain in Morocco and is now mounted on display at the Wyoming Dinosaur Centre in the USA.


Archaeological-Tourism?

Is the development of archaeological discoveries, a way to boost tourism? Moroccan archaeologists think so according to a report in The Economist - "a country like Morocco, which offers a variety of tourism products, can also benefit from cultural tourism mainly around archaeological sites some of which are internationally renowned." Indeed, important discoveries of human remains have been made ​​in the country. Last September, archaeologists discovered two human skeletons, aged between 6 000 and 14 000 years in the cave "El Kehf Hallouf 2" near Ain Taoujdate.

Such discoveries may attract tourists with an interest in science to Morocco . At the same time many "archaeologists and paleoanthropologists who wish to better understand some of the history of the direct ancestors of the North African population could possibly favour Morocco for their research," says Abdeljalil Bouzzougar, archaeologist and specialist in cave Pigeons.

For its part, the Ministry of Tourism seems to seriously consider this approach. The department headed by Lahcen Haddad is also in the process of integrating cultural and archaeological options in its Vision 2020. Mr. Haddad has placed particular emphasis on the importance of valuing archaeological assets of the region as a way of promoting Morocco. Currently, Moroccan and foreign anthropologists are working to make the Cave of Pigeons, located Tafouralt, a global benchmark. This is one of the most valuable archaeological discoveries. It contains prehistoric ornaments among the oldest in the world (more than 82 000 years) that make it a must for a better understanding of human history in general and North Africa in particular. Its development could attract many tourists.


Morocco and the question of "kif".

"If you try to grow other crops here they will fail," says Ahmed, surrounded by lush green fields of cannabis, the illegal plant he and thousands of other poor farmers in Morocco's Rif Mountains depend on.

90,000 households depend on the crop

The country's cannabis export has been cultivated in the traditionally rebellious northern region for centuries, where the climate for growing cannabis, or "kif", is considered ideal.

Along the stunning valley that runs between the towns of Taounate and Issaguen, women work in the fields tending this year's emerging crop, while young dealers ply the 70km road in their cars looking for customers. But after a massive bust in Spain this month, the attention of European drug agencies is likely to focus again on the continent's main source of hashish - and on Moroccan efforts to stem the supply.

Spanish police found 32 tons of the drug in a truck carrying melons from Morocco at the end of last month, and this month they discovered 52 tons at a warehouse in the southern Spanish city of Cordoba, setting a European record.

Morocco's interior ministry insists it has spent heavily on tightening border controls and combating trafficking, while deploying "enormous human and material resources" to eliminating cannabis cultivation.

The International Narcotics Control Board said in its latest report that 72% of cannabis resin seized by customs authorities worldwide in 2011 originated in Morocco.

"Implementing a policy of alternative development is the cornerstone of our strategy in the fight against the supply of drugs," the ministry said.

But an estimated 90000 households depend on kif production. Cannabis advocate Aberrahmane Hamoudani quips: "Kif doesn't kill you, but hunger does."


Morocco's economic growth set to rise.

Morocco’s economic growth may accelerate to about 5 percent this year, driven by a bumper harvest, Finance Minister Nizar Baraka said.

“Since the cereals harvest exceeded our initial forecast by 50 percent, this should reflect positively on overall economic growth that should hover around 5 percent this year,” Baraka said in an interview at an African Development Bank meeting in Marrakesh.

The economy grew 2.4 percent last year, Baraka said last month, and the government had earlier projected growth of 4.5 percent for 2013. Morocco has escaped the uprisings that swept across North Africa in 2011. The government last year negotiated a $6.2 billion credit line from the International Monetary Fund, and it’s seeking to reduce subsidies in order to rein in a widening budget deficit.


Two Moroccan police officers sentenced to 10 years in prison for forgery

According to a report by Youssef Sourgo in Morocco World News, on My 28th the Court of Appeal in Kenitra sentenced two police officers to 10 years in prison for the forgery of an official report. The two officers were mainly accused of being illegally acquainted with a suspicious person, for whom they forged fake testimonies and altered official reports.

Accordingly to daily Aujourd’hui Le Maroc, the two convicted police officers were prosecuted after numerous complaints from several residents of a village adjacent to the area where they both work.

Last year the criminal division of the same court sentenced the head of the brigade of the Royal Moroccan Gendarmerie and his deputy, in the area of Lalla Maimouna (Province of Kenitra), to ten years in prison.


More Art on Fes Festival Fringe

According to Jess Stephens from Culture Vultures (see our story here) Palais Mokri will be featuring an exhibition and show by Michel D'yve. The venture will present a collaborative mural and "the Muzoo". The Muzoo (a contraction of ‘museum’ and ‘zoo’) is a travelling museum presented by a group of artists called Sinéangulo. It was initiated by the Caza de Oro artist’s residence in Ariege, in the French Pyrenees. Le Muzoo moves between the UK and Morocco, and will be pitching its tent at the Palais Mokri during the Sacred Music Festival.

The Sinéangulo artists group was founded some time ago on the banks of the Niger, the product of a meeting between travellers from Gibraltar, Morocco and Mali. As they describe it, "Sinéangulo is made up of about sixty artists both professional and amateur (with no distinction between them), musicians and fine artists from Africa, Europe and elsewhere. Sinéangulo is not an artists’ collective and in fact has no definite programme or manifesto; it’s more of a spiritual state that invites creators with diverse artistic talents to return to experimentation; a spiritual state arising out of a mélange of the curiosity, research and cross-disciplinary experience of each person. The objective is to master the contingencies of today’s innovations. A new generation of artists has begun to re-think our world, allowing us to rediscover the physical world and analogue creation. The purpose of Sinéangulo is to integrate with, to graft onto and to fuse with complementary entities to allow the creation of simple art".

The Mural

The mural will be created on the arcade wall of Palais Mokri and throughout the festival, the public will be able to watch the development of a mural created in the spirit of Sinéangulo.

Artists invited to contribute to the mural include Youssef el Yedidi, fine artist known for his murals (for example, at Asilah) who regularly exhibits in Europe. He says that he comes from the strait, a nod to his dual nationality of Moroccan/Spanish. His work is tinged with humanism and wavers between graphic and organic.

Aziz Amrani , art teacher from Chefchaouen. In his painting, Amrani retraces the roots of calligraphy. This action translates into immediate action, making us oscillate between a state of contemplation and that of primordial energy. Amrani believes that the experience of painting is just as important as the physical work.

Charley Case, rambling artist from Brussels, sings of his connection to the world through his drawings. We recognise the characters from his brush strokes that he develops with a tree-like structure. His work materials are simply a brush and a pot of Chinese ink.


The Little Prince - a new museum

Battling the wind in his World War I biplane, a French pilot landed on a sandy Moroccan airstrip. Nearly 90 years on, a museum honours his stay and the world-renowned book it inspired.


"Antoine de Saint-Exupery the writer was partly born here, in Tarfaya, where he spent two years as station manager of Aeropostale," says Sadat Shaibat Mrabihrabou, opening the doors to the small museum in Morocco's far south, where the sea and the desert meet. "It's here that he began writing his books, under the stars," he says. "We're at the birthplace of a writer known worldwide."

Saint-Exupery is a name inseparable from his book "The Little Prince", a series of self-illustrated parables in which a boy prince from a tiny asteroid recounts his adventures among the stars to a pilot who has crash landed in the desert.

First published almost exactly 70 years ago in New York, in English and French, it became one of the best-selling books of all time with more than 140 million copies sold, and has been translated into 270 languages and dialects.

Prior to his stellar literary achievements, Saint-Exupery was a pioneer aviator posted to Tarfaya in 1927, a wind-swept outpost that served as an important refuelling station for the Aeropostale aviation company linking France to its colonies in Africa.

Today, even with new building projects rising from the sands, this sleepy port town formerly known as Cape Juby gives the impression that it's hardly changed. In front of Tarfaya stands a derelict fortress built by the British in the late 19th century, and the Atlantic Ocean stretching to the horizon. Behind it lies the Sahara desert.

Saint-Exupery packed his bags and flew his World War I-era Breguet 14 biplane to the Moroccan coast to take up his new job, whose duties included negotiating for the release of downed pilots captured by hostile local tribes.

During his 18-month posting in the dramatic isolation of Tarfaya, he wrote his first novel "Southern Mail", "whose title was suggested by another pioneering French airman, Jean Mermoz," according to the museum's curator.


There too was suggested the desert landscape that the Little Prince discovers when he falls to Earth, although that book was written more than a decade later.

In 2004, the Tarfaya museum opened, dedicated to preserving this key episode in the life of one of France's best-loved writers, whose Little Prince also has a museum in Japan.

"This patrimony represents an oral culture that risks disappearing with time. Saint-Exupery's last mechanic-caretaker died two years ago," says the museum's Mrabihrabou. "It was at this man's home that I heard for the first time the name of Saint-Exupery, when I was five to six years old," he adds.

The life of the celebrated aviator-author is told on the walls of the museum, from his birth in Lyon in 1900 to his mysterious death in 1944 during a reconnaissance mission in the Mediterranean, after having survived a Sahara desert crash in 1935.


"I really loved the Sahara. I spent nights in total seclusion. I woke up in this yellow expanse blown by gusts of wind as if at sea," Antoine de Saint-Exupery.
In the corner hangs an original picture of the Little Prince scribbled by its author.


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Thursday, May 30, 2013

Fez's First Multi-Story Shopping Mall


Fez locals have flooded the newly opened Borj Fez shopping mall on Route Taza since the opening on Saturday. 

For many Fez residents, the three story high Borj Fez will be their first taste of the mega-malls ubiquitous in the United States, Europe, parts of the Middle East and Asia. Filled with more than 70 stores, including major franchises such as Carrefour, Virgin, Camaeiu and Nespresso, Borj Fez offers a very different shopping experience to the small individual shops of the Ville Nouvelle, and the souqs of the Medina.

Excitement among Fassis is evident, with frequent queues to get into the shopping centre and many younger people posting their status on Facebook as being at Borj Fez, with photographs of themselves outside it. And, as a reader reminded us, "the thing that has been causing the most excitement and hilarity - the first escalators in Fes! Watching people try and step on them for the first time is very entertaining."


It's a sign of the growing Moroccan middle class that American and European owned franchises judge they will be able to generate sufficient turn-over, when the cost of a 200 dirham shirt or a 135 dirham packet of designer tea is more than the daily wage of many of Moroccans.

Samira, 17, from Oued Fez, says she and her friends are "excited to be able to see new things that are available. Even if we will have to save (up) our money to buy them."

The shopping as entertainment experience is enhanced by the children's Fun Park on the third level, along with the food court, which has a Burger King and a Pizza Hut.

The first escalator in Fez!
As a consumer, the wealth of choice offered by stores like Carrefour is desirable - the honey section alone is half an aisle long, and the fish section offers a remarkable variety. However, in a broader economic sense is the question of how it will affect the small businesses of the Medina, Fez Jdid and the Ville Nouvelle. The experience in Western cities is that small family owned stores simply can't compete with the buying power of the franchises; their customer base is reduced and there are forced closures. All over the Western world, the corner shop has become an endangered, if not extinct, species.

Of more specific concern is the effect on the artisans of the Medina. The main source of customers for artisan made products are Moroccans. Given a finite disposible income, will the Moroccan middle classes be tempted to buy Chinese made homewares and imitation tagines (they have small ones in Carrefour) at a cheaper price, rather than those that are locally made?

A wealth of white goods is on special at the entrance to Carrefour - everything from sandwich toasters, to juicers, to irons; and the relatively low prices will help to make such conveniences affordable to a broader group of shoppers. However, the sight of the large number of inexpensive Chinese motorbikes on sale will make many Medina residents cringe.

In recent years the Medina has suffered an influx of motorbikes, which often pay scant regard to pedestrians, donkeys and mules in the narrow alleys, and have also been used for purse snatching. Although banned in the World Heritage listed Medina, such restrictions are rarely enforced, and it would be a pity if the pedestrian experience of the Fez Medina became as unpleasant as that of the Marrakech Medina.

While the consumer choices offered by Borj Fez are certainly welcome, frequently such "progress" comes at a cost.



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Fes Festival Fringe - Art, Culture, Music and Fun


One of the fascinating aspects of the Fes Festival of World Sacred Music is the emerging "festival fringe". The events in this years fringe include everything from photographic exhibitions and street theatre to flash mobbing. 

Once again this year Jess Stephens is at the heart of the action. Jess, a visual artist and creator of the Culture Vultures enterprise, will open her pop-up gallery in the Tala'a Kbira (see map below) with exhibitions by local and international artists. It is the place to check out to discover what events are happening around the Medina and in the Ville nouvelle.

Pop- up art space ‘alZahra’ in the Tala'a Kbira

The Culture Vultures fringe events include Flash Mobbing Fez - spontaneous events with dance, music and song, presented in conjunction with the Australian Timbre Flaws Choir, Gershom Company and The American School Fez. It could happen just about anywhere at any time from June 7th to 15th.

A "street carpet"

Another event worth taking a look at is the extraordinary street carpet - a creation by Colleen Cassar, a multi-media artist from Australia. It will comprise a textile wall carpet from gathered waste fabrics and recycled clothing. The creation, inspired by the ‘boucheruite’ carpets and Morocco’s traditional cross stitch embroidery will become a vertical panel representing an Andalucian garden space.


Jess Stephens
Another imaginative event in the Festival Fringe is the three and a half hour Garden Walk Art Project with Heidi Vogels from Amsterdam. The genesis of this project was the research into Fez's gardens and stories Heidi undertook in preparation for a short film.

The Garden Walk includes an introduction to the historical development of the city’s green spaces, an intimate look into stories and memories of Fez citizens, and the illustration of the garden as imaginary space in poetry and song. Sharing stories, facts and finds is the starting point for the walk with the artist, while turning unexpected corners in exploring the medina gardens and their spatial and social aspects.

The Garden Walks will take place on Thursday 13th  and Sunday 16th of June. They begin at 09.30, from the Pop-Up AlZahra. Do bring a sun hat, your camera and good walking shoes. Cost is only 300 dh per person which includes refreshments and a healthy dose of inspiration.

For more information and booking visit the Pop-Up art space alZahra during the festival or contact Jess: culture.vulture1@rocketmail.com Website: http://culturevulturesfez.org/


Fes Festival Programme 2013 


Click to find out: Where to eat during the festival

For a map of the venues and of the Fez Medina please click here: Fes Festival Map

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Tuesday, May 28, 2013

Moroccan Photograph of the Day ~ like Children Around The World


The View from Fez photographer Suzanna Clarke took this delightful series in Fez.
 The View from Fez welcomes contributions for our Photo of the Day series from readers.



CLICK IMAGES TO ENLARGE

See more in our series Photo of the Day

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Artisan Expo to be Held in Marrakech


The first large-scale artisan event ever in Morocco, showcasing 300 master artisans in Morocco’s design capital, Marrakech will take place from June 12-16 this summer. According to the organisers, this is a rare opportunity to view hundreds of traditional and contemporary collections never before seen outside of Morocco and meet the masters of some the most revered crafts traditions in the world.



This Artisan Expo is being marketed as the first international exhibition of Moroccan craftsmanship and it is hoped it will present a real trading platform with the exhibition bringing together artisans and professionals, ie, importers, exporters, distributors, specifiers and designers.




For further information contact info@expoartisanmaroc.com



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Moroccan Students Learning English ~ More than Just Language


To understand a language is a lot more than simply vocabulary and grammar, it requires cultural understanding. With this in mind, the American Language Center in Fez has been running an ambitious project that spans history, music and philosophy. As Suzanna Clarke reports, it is a virtual tour of the American mind

Students and teacher Jamal Morelli, left, listen as Raja Bouyahiaoui makes a point


“I witnessed the Civil War. I was deeply affected,” claims student Khamlichi Amjad.

The 30-something Moroccan isn’t suffering from delusions – he’s role-playing the part of Top Flex, the subject of his imaginary biography. Top Flex is a figure who represents late nineteenth and early twentieth century American thought, which the students have been exploring for the past three semesters.

It’s all part of an engaging tour through the American mind that takes place weekly at the American Language Center in Fez for post-graduate students of English.

During the past year, the class has moved through the Civil War, the impact of industrialisation and the First World War, and is now well into the Civil Rights movement.

Teacher Jamal Morelli explains, “The things that these students know could put the average American student to shame…and they are doing it in their second language.”

When students began the classes, they were convinced by the stereotypes of the “fun-loving”, tolerant American. “But this concept didn’t really exist more than 60 or 70 years ago,” Mr Morelli says. “What makes this class unique is that it disputes every single stereotype.”

Mr Morelli points out that in going to America, the Puritan settlers were pursuing their own brand of narrowly defined Christianity. Little more than a decade later the Ivy League university Harvard was founded, followed by Yale and Princeton – all following principles of Calvinist orthodoxy.

It isn’t until more recent eras that the kind of thought and behavior that the world recognizes as American has emerged.

Far from being a dry, academic exercise, in the Advanced American Studies class students are encouraged to think about their own responses to what are sometimes controversial concepts, before exploring the historical facts.

“This class gives them a wonderful laboratory for thinking themselves. They come up with their own philosophical ideas; then we discuss the history. It can be really fun,” Mr Morelli says.

“For example, when we had the class about American socialism, we started by thinking about what capitalism is and how it affects the working class,” he says. “Then we looked at how members of that class could potentially deal with its exploitative treatment.


The Pullman Strike of 1894 by American Railway Union members

“Everyone had to defend his or her position: whether to use violence, or revolt in a specific way such as striking, or if it was possible to use writing to spread the idea of rejecting capitalism because of the way that basic rights were not protected, and to gather people to defend this cause. Then, we were able to explore the historical facts: who the thinkers were who rejected capitalism; what socialism actually is and events such as what happened in the Pullman strike.”

The students’ experience is enhanced by the use of multi-media. On the evening I visited the class, a segment of the Charlie Chaplin film Modern Times was used to illustrate the way the individual succumbed to being, literally, a cog in the machine of the Industrial Revolution.

Charlie Chaplin in “Modern Times”

Each week the music of renowned composers such as Stephen Foster and Gershwin are featured, as well as readings from the work of significant American poets such as Auden and Robert Lowell.

“I spend time introducing music and paintings and poetry written at the same time history and philosophy that was written, so it doesn’t become too heady,” Mr Morelli says. “You get it within five seconds, which is better than 10 minutes of lecture.”

As well as enthusiastic debates, the students’ engagement with the topics is reinforced by artistic projects, such as creating a physical map of the American Mind; blueprints for a house representing American intellectual history; and delivering their final analysis of the semester in the form of a mini-documentary video instead of an essay. Some of the results, from students who have never done artistic work or made videos before, are surprisingly professional.

While many of the participants find the modern student-centered method of learning stimulating, others more used to the traditional approach, where a teacher recites facts, can find it a challenge.

Raja Bouyahiaoui has no doubt which approach she prefers. “School should be a democratic experience,” she says. “Philosophy can be used to make important points about morality and ethics, and it can also be used as a weapon. Without philosophies, we cannot do anything.”

Mr Morelli says that the Advanced American Studies class is a means of building bridges between cultures. “It’s showing them how profound, challenging and far reaching American intellectual history is; how deep American minds are. America sells itself as a “can do” culture. But a lot of thought takes place.”

More info: http://alcfezbook.com

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Monday, May 27, 2013

Clock Culture this week 27th May – 2nd June


If you are visiting Fez - check out the Clock. Each week Cafe Clock has an varied cultural program - this week...

Workshops

Cooking School

Learn to cook traditional Moroccan food in the heart of the medina
with Clock Kitchen. Fez’s first dedicated cooking school.

Calligraphy

Discover the sacred art of calligraphy with master
Mohamed Charkaoui.

Fez Download

Let us introduce you to Moroccan culture, customs and language
with Khalid. In 1:30hrs you will wow your way round the souks.

Henna

Give your hands a fancy look with a beautiful henna tattoo.

Oud

Learn to play with master musician Mohamed Semlali. Oud provided.

Djemmbe

Wild Djemmbe rhythms with Yassine. Djemmbe provided.

Jam Session

Every Wednesday from 6pm to 8pm. All musisians are welcome.

Football

Every Thursday @ 5pm in Sports Complex batha. Speak to café manager for details. All welcome
If in Cafe Clock ask manager for details otherwise call/email using details below


Art Exhibitions

Graffiti Art by the urban artist Omar Lula
Gods From India Art exhibition in the Redroom
Habibi prints from a graphic noval

Cinema

Monday & Friday @ 6pm


Monday @ 6pm Bougaff a Directed by Abdellah Zerwali with Mohamed Khouyi, Mohamed El Bastaoui and Houda Sadqi. The movie is in Darija with French subtitles. (free)




Friday @ 6pm  The Motorcycle Diaries Directed by Walter Salles with Gael García Bernal, Rodrigo De la Serna and Mercedes Morán. The movie is in English with French subtitles. (free)



Concerts

Sunday Concert @ 6pm





Gnawa Traditional music with percussion (20dh)



ALSO CHECK OUT WHERE TO EAT DURING THE FES FESTIVAL




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Sunday, May 26, 2013

Fine Fashion in Fez



A vibrant garment from Alfred Berlin's collection
Fez Fashion Day 2013 on May 25 was a treat. Held at the beautiful Jardin des Biehn and sponsored by the French Institute Fes, two designers showed off their extensive collections at the well attended show. 
Moi Anan, from Thailand, who works between Bangkok and Fez, and Alfred Berlin from Italy who is based in Berlin and Fez, had very different collections. Anan's work was beautifully tailored and constructed, using exquisite fabrics, while Alfred's was more casual and playful, with an emphasis on accessories. See our previous story on them HERE.


Collection Moi Anan



Moi Anan's carefully tailored styling spans Thai tradition and Western modernity. His work has been shown at Paris Fashion Week. 





This new collection consists of more of thirty pieces, offering a sophisticated approach where traditional fabrics and materials are given a contemporary twist.



Thai designer Moi Anan is happy with the reception for his new collection
A young audience member is inspired to make a record what he sees

Collection Alfred Berlin


Alfred Berlin describes his collection as "a funky mix of past and present". 




"Inspirations came from how, in the old Medina of Fez, people mix traditional Moroccan clothes, such as kaftans, jellabas and babouches with contemporary street-style looks like Nike and Adidas," says Alfred Berlin.



Accessories feature strongly. "I'm trying to establish my brand based on recycling left over leather from Italian factories. It is about using hand made products, done by the young artisan generation."



Alfred Berlin, right, with one of the models sporting a look from the collection

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