Showing posts with label Assilah. Show all posts
Showing posts with label Assilah. Show all posts

Saturday, November 08, 2014

Roman Cities in Morocco: Lixus



It's off the beaten tourist track, with a makeshift entrance and little infrastructure. But the ancient Roman city of Lixus, near the northern Moroccan seaport of Larache, is well worth a visit. Suzanna Clarke reports for The View from Fez

On a day trip from Assilah in northern Morocco, we made our way to Lixus, 35 kilometres away. I had visions of ticket collections and the usual posse of guides hanging around the entrance, as they do at that other well-known Roman site, Volubilis. Perhaps even a small cafe?

However, Lixus is a site in waiting. The entrance is a "provisional" one, and isn't easy to find, and there is no ticket collection or other infrastructure. Once a thriving city stretching over 75 hectares, nowadays the entrance to Lixus is a gap through an unfinished wall, and a planned visitor centre looks impressive, but work on it ceased prior to completion, more than two years ago.

The remains of the fish processing area, where the fish paste "garum" was made

We were the only visitors to Lixus that morning, and a cheerful security guard offered to show us around. His grandfather had been a guardian of the site, as had his father, he told us.

First stop on the tour were the remains of more than 150 pools and the processing areas used for a fish factory, which used to make "garum", a strong fish paste. Fish were laid out and covered with salt in order to make the paste, which was then shipped to other parts of the Roman Empire.

We turned and began to wind up the hill, following an ancient roadway. Settled by that sea-faring culture, the Phoenicians, in the 7th century BC, Lixus was later annexed by Carthage - and became one of a string of Phoenician/Carthaginian settlements along the Atlantic coast, which included Chellah (now in modern Rabat, and then called Sala Colonia by the Romans) and Mogador (now Essaouira). Further inland was the better known city of Volubilis. When Carthage fell to Ancient Rome, Lixus, Chellah, Mogador and Volubilis became imperial outposts of the Roman province Mauretania Tingitana. It flourished during the reign of Emperor Claudius 1, from AD 41 - 54.

The Roman amphitheatre

Only an estimated 20% of Lixus has been excavated, so it's possible a wealth of ancient mosaics and other significant artefacts lie beneath. Active excavation did take place between 1948 and 1969. Then, after an international conference in 1989, which many scientists, historians and archaeologists participated, the site was partly enclosed in order to undertake a study of the mosaics. One of these represented Poseidon – the Greek god of the sea, horses and earthquakes. The mosaics and even a mask of Hercules, found in a temple, have been moved to museums in Rabat and Tetouan. In 1995, Lixus was put on the World Heritage register.

As we rounded the hill, to our right was a breathtaking sight - an ancient amphitheatre, one of the few in north Africa and the only known one in Morocco. In the middle is a large mosaic of Poseidon, which has been covered over with dirt to preserve it. Here gladiators and animals such as lions would have fought and plays would have been performed. Behind that are the remains of a public bath-house. The changing rooms, pools and ovens to heat the water are still visible.

The remains of houses where the wealthiest citizens lived
In typical Roman (and later Islamic) style, houses were centred around courtyards

A little further on, with a magnificent view of the river Loukkas and the estuary, are the remains of the houses where the wealthiest citizens lived - those highly ranked in the army. Like Volubilis, the remains of the walls show that the house design was typically Roman, with rooms grouped off a courtyard.

Life, I imagined, would have been more than tolerable if you were in the upper classes. Attractive houses with wonderful views, a sizeable town which produced and traded good food, and for entertainment, plays and gladiatorial combat at the amphitheatre.

Visitors, too, would undoubtedly have made their way there. The name Lixus was mentioned by ancient writers such as Hanno the Navigator, a Carthaginian explorer who was active around 450 BC. and the Geographer of Ravenna. It is also confirmed by the legend on its coins and by an inscription. The ancients believed this to be the site of the Garden of the Hesperides and of a sanctuary of Hercules, where Hercules gathered gold apples. It's more ancient than the one at Cadiz in Spain.

The restored Roman armoury

 In the third century Lixus become nearly fully Christian and there are ruins of a Paleo-Christian church overlooking the archeological area. However, the city was badly damaged during the Arab conquest of North Africa in the 5th century. Some Arabs and Berbers continued to live there until a century later, as can be seen by the remains of a mosque and a house with a patio with walls covered in painted stucco. The final demise of the city came about in 1300 AC because of a mosquito problem and a drought. Whether there was an outbreak of malaria can only be speculated.

The Roman forum has been partially restored
Some of the columns were vandalised a month ago

Following the path leads to a restored armoury, and the remains of a watch tower. And down beyond, is what used to be a Roman forum. This has been partially restored. Last month, unfortunately, vandals broke in and stole some of the columns and pushed over others.


It's clear there is a desire from the government for Lixus to fulfil its potential. The new visitors's centre, by a Belgian architect, is stylish and well designed. Complete with electricity and water, it looks ready to go - it just needs the finishing touches.


It will contain a small museum, restoration areas for trained archeologists and offices for management, as well as a contemporary cafe with a wonderful view out over the the river and Larache. But it's been more than two years since work stopped.

It's to be hoped that the money can be found to complete the project. With a modest injection of funds, Lixus could easily compete with Volubilis as a popular site for tourists - whose revenue would in turn help fund continuing exploration and restoration of the site, and increased employment in the local area. It's a magic place - so make the effort to visit it.

Words and photos: Suzanna Clarke

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Friday, November 07, 2014

Moroccan Photo Essay: The Art of Assilah

Founded in 1978, the Cultural Moussem of Assilah - better known as the Assilah Street Art Festival - has become a major event  
Held each June or August for a fortnight, artists from around the world are invited to add their creations to the white-washed walls of the ancient medina. Concerts and workshops also feature. Here is a glimpse at what can be seen as a result of this year's efforts. (Click on images to enlarge)















Photo essay by Suzanna Clarke

For further info on the Cultural Moussem of Assilah CLICK HERE

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Thursday, November 06, 2014

Moroccan Photo of the Day - Sunset in Assilah


In summer, the population of Assilah in northern Morocco swells to around 110,000 people. However, in the off season, it's a delightfully laid back place, with a population of only 12,000. The locals are friendly, there is fabulous fresh seafood and the small, pretty medina is impeccably clean. 



Photo: Suzanna Clarke

See more in our Photo of the Day series HERE 

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Tuesday, August 20, 2013

Chilling Out in Asillah and a Trip to Paradise



Escaping the heat in Fez is not always as easy as it sounds. Simply getting on a train is difficult, as our reporter, Sue Bail, discovered as she headed to Asillah to chill out

Asillah - cooler than Fez

Many people had warned me of how much Moroccans love the beach in August and how crowded every coastal town is post Ramadan but I needed to escape the heat wave of Fez and surely they were exaggerating..... Not at all. I couldn't even get a train out of Fez for the coast for 12 hours as all were booked out. Even the 1am first class carriage was doubly booked with people filling the aisles.

Asillah was buzzing

Eventually in Asillah and after a nap I hit the cafe for an espresso and couldn't believe my ears and eyes. This quiet 'art' town as I had known it off season was heaving. Every street was a mass of parading families and teenagers, strutting their stuff, staring with curiosity, cars crawling through the crowds, music thumping, every Mercedes and BMW black. Horse and carts, a local form of taxi, were jigging their way through the mayhem.


The beach was a sports ground, dotted with flimsy umbrellas and thatched cafes, while the alleys of the medina were like a fun park with everyone on a treasure hunt for the next mural to pose against.


The ramparts were bursting at sunset as the foreshore came alive with snail soup stands, henna ladies, fishermen with their fresh catch, music trolleys and again, masses of people, reinvigorated post siesta and ready to amble through the night.


My hotel backed onto a wedding venue with newlyweds each and all night. I can report that there's not a lot of sleep happening in Asillah.

The saga of getting to Paradise Beach.... Great test in patience & how much do you really want that swim????

I haggle with green petit taxi that the hotel recommended only to be told that I have to get a grand taxi. So I go to the grand taxi stand only to be told I need to catch a petit taxi to another grand taxi stand.

Eventually I reach a packed market place where a "friend" says I must book the whole taxi because no one else is going to this famous beach, then he says he has a friend with a very good cafe there, yeah yeah, sure,  soooooo dodgy!

Asillah - art is everywhere

Cutting back through the market shaking my head, I remind myself that I should know better. It must be the heat, the delirium of the my cold medication. I head back to the hotel for a cold shower and re-energise ready for another attempt.

Back to the market and so starts the spiel,  but, in the end, I find myself jumping into a blanketed cart behind a fragrant horse and going for the genuine local back-in-time jig through the back streets, rubbish dumps, shepherds with goats and cows, melon fields, etc baking in the afternoon sun and being overtaken by locals, ten to a car, hurtling down the dusty track to paradise. I'm definitely the odd one out here but enjoying the pace once I relax into it.

On the road to Paradise - better than a taxi

Diving into the fresh waves was delicious, and, like a water baby, I didn't want to come back to earth.

After several water-soaked hours I walked back up the beach to find my horse & cart waiting for the jig home and I smiled all the way.


Paradise never comes easily... but it is certainly worth it.

Text and photographs: Sue Bail

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Wednesday, May 18, 2011

More Film News From Morocco



More news from the world of film. For this story we turn our attention, not to Cannes or Hollywood, but the beautiful town of Assilah here in Morocco. South of Tangiers, Assilah, is a favourite holiday spot with good beaches and a colourful history. From a local tower, prisoners were once thrown onto those rocks by El Rassouli, the Berber chief played with an oddly Scottish accent by Sean Connery in "The Wind and The Lion." The tower and fortress now host an annual art festival.

It is here, in Assilah, that the veteran British filmmaker Barney Platts-Mills has been living and working since 2000. Back in the 1960s he was known for his involvement in the free cinema movement in the UK but it is 27 years since his 1969 film Bronco Bullfrog got an outing at Cannes. Since 2000 Barney has involved himself in his new community and founded the Ecole de Cinema de Larache to train young Moroccans in cinema.

When Barney Platts-Mills announced he was to make a new movie, opinion was divided as to his ability after such a long break from directing. Inspired by the family he lived with he scripted Zohra, and then recruited the entire village into the production of the film. The film is now out and the critics' fears have not been realised.

The film is Zohra: A Moroccan Fairytale, an evocative and gentle love story-cum-magical fable, set against the backdrop of modern-day rural Morocco.


Zohra (Touba Noro) is a 14 year-old village girl in Morocco who starts to question what she wants from life when her father starts to pressure her to marry a wealthy older man. She meets 17 year-old runaway (Said Bekurrie), who is hiding in the village before planning on taking an illegal boat to Spain, and he offers her romance, adventure and the possibility of a new life in another country.

A storm interrupts the plans to escape, and the young couple enjoy an refreshingly innocent fugitive love affair, though as time draws on Zohra begins to realise her loyalty to her village and homeland are stronger than a desire to escape.

The performers are all amateurs – Touba Noro was actually the village girl who was the inspiration for the film, and Said Bekurrie is a runaway street kid from Tangier who has begun to establish himself as a dance talent – which gives the film a suitably naïve and fumbling quality, nicely counterbalanced by Martinez Fulgencio’s delightful cinematography and the clear love for the landscape that is obvious in they way Barney Platts-Mills films.


It is a slight but nicely subtle tale (with an unexpected brief coda at the end of the film) that is not without a certain fairytale charm. Touba Noro is a real charmer, and the charismatic centre of this engaging film.

And while on the subject of films... Morocco made a real impact at Cannes with the appearance on the red carpet of Director Radu Mihaileanu with the cast of his competition title The Source alongside more than a dozen women from Warielt, the small Moroccan village where the film was shot.

The women from Warielt


The Source takes place in a fictional village somewhere between North Africa and the Middle East where women fetch water from the top of a mountain under the scorching sun. One day, a young woman urges the women to launch a “love strike,” namely a boycott on sex and affection until the men start running water into the village. The film stars a trio of France’s most promising young actresses Hafsia Herzi, Leila Bekhti and Sabrina Ouazani.

Monday, July 12, 2010

Moroccan Photography Competition #47


Photographer Tom Mullins

South of Tangiers, in Assilah, a child looks over the turrets onto the rocks below. Prisoners were thrown from the tower behind him onto those rocks by El Rassouli, the Berber chief played with an oddly Scottish accent by Sean Connery in "The Wind and The Lion." The tower and fortress now host an annual art festival.

The photography competition winners will be announced at our birthday party in October, with some wonderful prizes, including a very generous accommodation package for two in Fez, donated by the good folks at Dar El Menia, a sumptuous meal for two at Cafe Clock as well as a luxury hammam and other goodies to be announced. We will accept entries until September 30th. So get your entry in !

Submit a photograph.

Send your photograph in jpeg or gif form to: theviewfromfez@gmail.com and please put the words "photo entry" in the subject line.

View all photographs in our photojournal.


Friday, July 09, 2010

Iphone Coverage of Assilah Festival



A while ago, The View from Fez, posted a story about the UAE being the special guests at the Assilah Festival ( see story HERE) Now there is exciting news that the Emirates have teamed up with URBN Travel to provide an Iphone app so that people from around the world can keep in touch with the happenings at the Assilah Festival.


Eamonn Carey from URBN travel told us: "This year, the UAE is the guest of honour at the festival, and in celebration of that fact, we're working with the Abu Dhabi Authority for Culture and Heritage to produce iPhone and Android apps, a webapp and a whole range of text, images, videos, podcasts, livestreams and more. It's the first time that something like this has happened at a festival in Africa, and we're pretty excited about being part of it. We're hoping that by doing this, we'll allow people from all over the world to connect with the festival through our apps and through the www.adachatassilah.com website - that way, they can read about what's happening, see tons of regularly updated images, view videos with the participants and generally get a feel for what the festival is all about.

Where to get the app?

There are download links for the apps on www.urbntravel.com - the iPhone and Android apps have a full range of features - the webapp is a little simpler so as not to kill people's data plans.

The View from Fez has downloaded and tested the app and can report it looks like an exciting innovation.

And here is a suggestion. This kind of coverage needs to be taken up by the organisers of the Fez Festival of World Sacred Music, The Sufi Festival and the Essaouira Gnaoua Festival.