Showing posts with label Henna. Show all posts
Showing posts with label Henna. Show all posts

Friday, March 02, 2018

Can Citizens Save The Henna Souk Fountain?


The Henna Souk is one of the gems at the heart of the Fez Medina. This oasis of tranquility is the place for henna, ceramics and a variety of smaller goods such as herbs, cosmetic soaps and oils. It is also the location for the famous maristan and its fountain
The Henna Souk, with its two giant trees, is an oasis of tranquility in the busy Fez Medina

The word “maristan” is a contraction of a Persian word (bimarstan) meaning “the locus of sick people.” Maristans were medical institutions with four specialties: internal medicine, ophthalmology, traumatology, and psychiatry.

In Fez, during the Merinid dynasty a maristan, called Sidi Fredj, was built in the 13th century by the sultan Abu Yaqub (1286–1307). Leo Africanus (his original name was Hassan Al Wazzan) worked in this maristan for two years as a secretary at the end of the 15th century. Adjacent to the Sidi Fredj maristan, herb shops allowed the preparation of many kinds of medications for centuries. These small shops still exist today and add much to the charm of the Henna Souk.


Still in existence, but under threat is the beautiful fountain.

Built at the same time as the maristan, the fountain has survived the centuries but in a deteriorating condition. The proclamation of Fez as a World Heritage Site by UNESCO saw an increased appreciation of the cultural and architectural heritage of the Medina.  In 1986 the fountain was restored.


Problems began two years ago when someone began using the fountain for dumping rubbish (see photographs below). They are asked to desist by the stallholders in the Souk, but refused to do so.

Rubbish in the fountain

The stallholders recently cleaned up the fountain and the local water authority RADEEF generously undertook to assist by putting in a temporary water circulating pump and for the first time in years the sound of tinkling water was heard in the Henna Souk. RADEEF explained it was only a temporary fix and undertook to provide the plumbing to connect the fountain to a constant supply of water. It is hoped that RADEEF will quickly move to fully restore the fountain.

Cleaned and flowing with fresh water

Sadly, the abuse of the fountain has continued and the people involved have removed the water pump and returned to dumping into the fountain.

The local shopkeepers all signed a petition and delivered it to their local city official, who unfortunately dismissed it as being "in the wrong format" and declined to address the problem.

There is much discussion about what the next step should be. Please visit the Henna Souk to show your support.

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Monday, September 02, 2013

Visiting Fez? Don't Miss the Henna Souk



The little henna souk (market) is one of the medina's oldest and most picturesque squares, with two massive, gnarled plane trees in the centre and rows of spices, hennas, kohls, and aphrodisiacs for sale in the tiny stalls around the edges. The ceramic shops in the henna souk sell a wide variety of typically blue Fassi pottery

To find the henna souq, walk down the Talaa Kebira and look out for the sign on your right

Coming down the Talaa Kebira from Boujloud, locate the sign up on the wall and turn to the right and then immediately left through a small, dark, tunnel-like entrance.

The entrance to the henna souk

You will find yourself in a strangely tranquil small square and beneath the huge trees there is what looks like a pile of junk. Look again and you may find some amazing treasures

Some antiques, some junk... but all interesting 
Leo Africanus worked here as a young man. It's now a small kissaria (covered market)

At the square's end is a plaque dedicated to the Maristan Sidi Frej, a medical center and psychiatric and teaching hospital built by the Merenid ruler Youssef Ibn Yakoub in 1286. Used as a model for the world's first mental hospital—founded in Valencia, Spain, in 1410—the Maristan operated until 1944.



This is the perfect place to shop for presents as most of the cosmetics are extremely inexpensive and the shop owners friendly and knowledgeable about traditional products. The rose-oil face cream is popular as are the argan oil soaps.  However, the main interest is usually in henna.

A form of kohl that is crushed and added as glitter beneath the eyes
Henna is available pre-mixed or as powder... or even in leaf form
Do it yourself? Then start with some leaf henna 
And if you are not the world's greatest henna artist, stencils are available
The stringy bark is "swak" - for a little added dental care!
Ghassoul, mixed to a paste is a great body scrub and also good for washing your hair
And then there are ceramics... Mohssin Zemmouri can help

A short history of henna

Henna has been used to adorn young women’s bodies as part of social and holiday celebrations since the late Bronze Age in the eastern Mediterranean. The earliest text mentioning henna in the context of marriage and fertility celebrations comes from the Ugaritic legend of Baal and Anath, which has references to women marking themselves with henna in preparation to meet their husbands, and Anath adorning herself with henna to celebrate a victory over the enemies of Baal. 


Wall paintings excavated at Akrotiri (dating prior to the eruption of Thera in 1680 BCE) show women with markings consistent with henna on their nails, palms and soles, in a tableau consistent with the henna bridal description from Ugarit Many statuettes of young women dating between 1500 and 500 BCE along the Mediterranean coastline have raised hands with markings consistent with henna. This early connection between young, fertile women and henna seems to be the origin of the Night of the Henna. The Night of the Henna has spread around the world and is celebrated by most groups in the areas where henna grew naturally: Jews, Muslims, Hindus, Christians and Zoroastrians. All these cultures celebrated marriages by adorning the bride, and often the groom, with henna.

Walking while the henna dries

More on henna and a warning about "black henna".

Text and photographs: Sandy McCutcheon

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Sunday, June 30, 2013

Visiting the Fez Medina? Dive Into Local Culture with Café Clock


Every Week Café Clock hosts a range of activities that can add a cultural boost to your visit to Fez. Here are this weeks offerings.

WORKSHOPS
Clock Kitchen
Learn to cook traditional Moroccan food in the heart of the medina with Clock Kitchen. Fez’s first dedicated cooking school, a new addition to the renowned Cafe Clock

Calligraphy
Discover the sacred art of calligraphy with master Mohamed Charkaoui. Private lessons by arrangement. Speak to café manager for details.

Fez Download
Let us introduce you to the Moroccan ways with Khalid (French, English and Arabic), 2hour session on culture, customs and Language, call  0535637855 or come into Cafe Clock


Get your henna at the Clock!

Henna
Give your hands a fancy look with a beautiful henna tattoo for 100dh. Speak to café manager for details.

Oud
Learn to play with master musician Mohamed Semlali. Oud provided.


CINEMA
Monday & Friday @ 6pm
Al Boyout Asrar Directed by Asayed Ziada with Adil Imam, Amira and Sohir Ramzi. The movie is in Arabic with French subtitles. (free)
Casino Royale Directed by Martin Campbell with Daniel Craig, Eva Green & Judi Dench.The movie is in English with French subtitles. (free)

JAM SESSION
Every Wednesday from 6pm to 8pm. All musisians are welcome.

FOOTBALL
Every Thursday @ 6pm in Sports Complex Batha. Speak to café manager for details. All welcome

EXHIBITION
Graffiti Art by the urban artist Omar Lula
Gods From India art exhibition in the Redroom Habibi prints from a graphic novel

CONCERT

Sunday Concert @ 6pm
Jilaliyat Popular female group (20dh) 




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Saturday, January 07, 2012

Moroccan Henna Design for Life



A brief trip to Morocco more than a decade ago led to a life changing discovery for an Australian woman, writes Suzanna Clarke.


When Oriel Paterson made her first - and as yet only - visit to Morocco in 1996, she had no idea that it would shape the course of her life. She is now runs a business called Henna Harem in Australia, which does temporary henna "tattoos" for thousands of people each year.

Between clients at the Woodford Folk Festival on the Queensland Sunshine Coast last week, Oriel recalled her brief trip to the Maghreb. "My partner (Drew Minton) and I didn't have much money, so we hitch-hiked around Morocco. We went to Chefchaouan, stayed a week in Fez near the Bab Boujeloud, and spent a few days in Marrakesh and then the Atlas."


During her travels, Oriel was struck by the henna designs worn by Moroccan women. "I thought they were beautiful, and wanted to bring them back." Born in Kenya, she had lived in the United Arab Emirates as a child, before the family went to live in Australia. "I have memories of the souks, and the geometric designs," she says.

Oriel had completed a degree in art history and anthropology, and while she was pregnant with the first of her two daughters, decided to begin her own business offering henna tattoos as a way of combining her interests.

She felt it was important to give people a taste of what she had experienced in Moroccan culture.
"It's important to create an atmosphere, like the nurturing environment and sense of family people have there," Oriel says.

During the course of the week-long festival, the curtained and cushioned Henna Harem tent was always abuzz with women, men and children either waiting, having designs created or sitting until they dried. Firstly, they selected a symbol from a book and then it was neatly painted on their hands, feet or shoulders by one of a dozen young female employees.

"It's a healing thing to do, and that inspires me to keep doing it," says Oriel. "It's very intimate, dealing with people's skin. Sometimes they confide their problems to you. And the symbol that they chose says a great deal about their personal symbolic language.

"The plant itself has power. It's considered a protection from malevolent spirits. It's also medicinal and works as an anti-fungal. You can use it to treat things like tinea."

Like a pasha's court, Henna Harem is nomadic, constantly traveling Australia and setting up at major festivals, market days, weddings and private events.

"One day, I would love to come back to Morocco," Oriel says.

Henna Harem can be hired for public or private events. You can contact them HERE.



Henna photos copyright Henna Harem 2012. 


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Saturday, December 24, 2011

More Pop-Up Happenings in Fez

The Fez Pop-Up is up and running. If you haven't done so yet, do check out the "SILENT DISCO"! sponsored by the folks from Plan-it Fez. A handful of wireless headphones tuned into the dance/funk set, boom out only to those wearing them, whilst to all those around not a beat is heard - it is a sight to behold. The silent disco takes place at the Pop-Up from 18th to the 31st of December, from 5 – 6 p.m. every day. Don’t miss out on being part of Fez medinas pioneering arts projects.

On Monday the 26th, the Pop-up will showcase DJ Collie Flower playing a slot in the Silent Disco, at 5 p.m.

On Tuesday 27th at 3 p.m. Mohammed Charkaoui, calligraphy and teacher, talks about his work and the relationship between calligraphy and Islam.


Henna artist Leiya will be available on Thursday 29th at 3 - a good way to prepare for 2012!



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Tuesday, March 10, 2009

Sunday - Music in Fez


Peace, quiet and a touch of henna

The View from Fez women's affairs reporter, Annah, has been out and about in the Medina on International Women's Day. Here is her report.


A fantastic day!

International Women’s Day was celebrated in fine style at Fes et Gestes cafe in Ziat with a full house enjoying lunch in the sunny garden courtyard. Henna artists demonstrated the intricate art of traditional henna hand adornment and the all-women singing and drumming group from Fes Medina, Jilaliyat, provided spirited entertainment into the early evening.


Further Moroccan music entertainment was to be had Café Clock’s Sunday Night Traditional Music Concert where popular Fes entertainer, Nourdine, performed songs by the legendary Moroccan group Nass el Ghiwane.


Formed in the late 60's by four young men from the poor district of Hay el Mohammadi in Casablanca, Nass el Ghiwane broke all the moulds of popular music in Morocco with their unique and often allusively political music. By mixing the Sufi chants and litanies of the Zaouias (brotherhoods) with the poetry of Melhoun and ancient rhythms of the Berbers and Gnawas and introducing modern instruments and multiple mellifluous voices, they bought ancient traditional music back into the lives of Moroccans, and Moroccan music to the larger world.


Nourdine embodies the great soul of Nass el Ghiwane, with a heartfelt voice powerful enough to fill the rooms of the Café without amplification and the Nass el Ghiwane styled instrumental skill of turning a banjo into an Arabic musical instrument.
The enduring quality of Nass el Ghiwane music and it’s ongoing appeal to young people was illustrated by the heartfelt and extended sing-a-long that unfolded when Nourdine made his way to the upstairs gallery.


Café Clock continues to provide a welcome platform for local musicians, artists and traditional music and the Sunday night concerts are becoming ‘book first’ events.

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Sunday, December 21, 2008

Beautiful People of Morocco


Young Canadian volunteer and freelance writer, Elena Fenrick is this month's guest columnist and writes about her three-month adventure in Morocco. The article was first published in the Edmonton Journal and is reprinted with permission of the author.
Beautiful people of Morocco

With a vibrant culture, rich in contrasts, Morocco claims a unique spot in both Africa and the Arab world. Ancient tradition merges daily with pop culture and modernity. This is a country where nomadic Saharan guides are Celine Dion fans and veiled women eat McArabia sandwiches at McDonald's.

In the Anti-Atlas mountains, "Long Live King Mohamed VI" is spelled out in Arabic script formed by white rocks. Near the same mountains, on the outskirts of an oasis town, several disabled Moroccans drive high-tech motorized wheelchairs across a stony plateau.

I was fortunate enough to call this gorgeous land of contrasts "home" for three months as a Cross-Cultural Solutions volunteer. Headquartered in New York, CCS operates home bases in 12 countries around the world.

After graduating from high school in 2007, I wanted to travel and experience living somewhere other than Lloydminster.

Morocco was at the top of my list of places to see, it being a unique fusion of Mediterranean, African and Middle Eastern culture. I wanted to experience the Arab world for myself rather than stereotyping a society based on media portrayal.

CCS Morocco's home base is located in Rabat, the country's political capital and current imperial city. Gorgeously situated on both the Atlantic Ocean and Bou Regreg River, remainders of the French Protectorate are still visibly ingrained in the architecture and style. Only a fortress-like wall separates the Ville Nouveau (new city) from the ancient Medina (old city).

Ranging in ages from eight to 82, nearly 50 volunteers went through the house during my 12-week stay. Each seemed to be on both a personal journey and a quest for a greater good in the world. Hearing their wealth of travel experiences made me want to see and do everything, all at once.

The home-base staff is composed entirely of Moroccans, which helped me to feel less like a tourist and more like a part of the country. We were educated on different aspects of culture, people, language and religion through speakers, field trips and activities.

Before arriving in Morocco, we'd been given information about our volunteer placement. Honestly, I was apprehensive about working at a children's hospital, but I went in with a determination to not let it scare me.

There was nothing to be afraid of.

We were warmly welcomed, even by the mothers who had spent weeks at their child's bedside. Many of these women were from rural areas and spoke only Arabic. I couldn't understand their words, but I did understand that they were both the toughest and most personable people that I'd ever known. Communicating was an interesting challenge, with more than a few hilarious misunderstandings.

Our days in the oncology ward were spent colouring, painting, playing board games and doing puzzles with kids, all of which promoted a constant exchange of English and Arabic.

Though grief and sadness also existed in the ward, the positive attitude of the children shocked me. These kids seemed wise beyond their years, yet most were able to temporarily dispel their fears by laughing and socializing.

Day-to-day life in Morocco was an adventure.

Traffic in Rabat is hectic, and the fast-moving city buses are often crammed wall-to-wall with passengers of all ages. Tickets are cheap at only four dirhams (roughly 56 cents Cdn), and foreigners who take the city bus usually leave with some memorable stories and observations.

On the weekends, volunteers have the option of travelling about the country. For me, this included trips to the Sahara desert dunes near M'Hamid and to Fez, the country's "spiritual capital."

Buying a train ticket to Fez is an easy transaction; getting on the correct train is not quite as easy. (Six of us spent a half-hour stranded in Kenitra, waiting for the train we should have taken.)

Fez was fantastic and fulfilled my childhood dream of being in Disney's Aladdin. The Medina, famous for its tanneries and one of the world's oldest universities, comprises thousands of medieval streets and alleyways.

Our guide led us to an Amazigh (Berber) carpet house, a women's co-operative that produced silk scarves, a herbal pharmacy and the famed tanneries.

In my opinion, Morocco's greatest asset is its people. Family is a priority to them, and time isn't measured as rigidly as it is in Canada.

The genuine kindness of strangers was a recurring theme wherever we went. People wanted to help us. Yes, there were those who wanted to sell us something such as a henna tattoo or their guiding services. But, many were simply curious about why we were there and wished to show hospitality to foreigners.

The local shop owners in the souk (marketplace) and waiters at certain cafes began to exchange pleasant greetings with us. When I brought a few friends back to a specific jewellery shop, the owner recognized me and gave me a tiny, silver Hand of Fatima necklace as commission.

In a pilot project, some of the volunteers met regularly with a group of students from Mohamed V University. To help them with their English, we discussed a wide variety of topics and saw Morocco from their perspective.

Getting to know the students was a great opportunity for cultural understanding. Most hadn't personally known any North Americans before, and some thought that westerners wouldn't like them because they are Muslim. We explained that we were their friends and wanted to learn about their country and Islam.

One girl explained to us the phenomenon of educated Moroccans going to live abroad. Instead, her intent is to use her education within Morocco to help strengthen the economy and create jobs.

Morocco deals with huge issues such as poverty, unemployment and high rural illiteracy rates.

Organizations such as CCS or the Peace Corps can't solve these issues, but they can make a difference. Helping cultures to better understand and appreciate each other creates friendships that can lead to lasting, positive change in all areas of society.

Before going to Morocco, I hadn't travelled alone and was paranoid and suspicious of strangers. Turning on the TV or picking up a newspaper can give people a thousand reasons to be afraid of the world.

Yes, there are valid reasons to be cautious, but it's so easy to forget about random kindness and compassion.

Though I was the volunteer who was "helping others," the people of Morocco taught me much more than I taught them.


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Thursday, November 27, 2008

The delicate art of Moroccan henna


Henna is used in Morocco to dye the skin in intricate patterns, sometimes called temporary tattoos. Henna is an integral part of many celebrations in Morocco and it is quite common to see henna on women's hands and feet for weddings and special occasions. Although the use of henna at weddings is well known, it is also commonly used with the ceremonies for Id al-Adha and male circumcision.

The anthropologist, Catherine Cartwright-Jones, points out that "the designs are often variants on the traditional North African "Khamsa” pattern: a cross with four dots surrounding; a square, circle or diamond shape with one dot within and four surrounding; hand shapes, and variations on these. People applied henna and the “Khamsa” patterns to avert the “Evil Eye”.

For visitors it is a popular experience to have henna applied, particularly for women.

It is also possible to buy henna patterns so that you can apply henna once you return home. The best place to buy henna and henna patterns is in the Henna Souq off the Tala'a Kbira

The application of henna is time consuming and you should expect to spend at least an hour for the artist to complete the design. Then it is time to wrap the hands gently in cotton cloth in order to protect them from damage during the drying period. The longer the hands are protected the better.

The design will normally last for a couple of weeks or more, with the palms usually lasting the longest.


According to Wikipedia: the different words for henna in ancient languages imply that henna had more than one point of discovery and origin, and different pathways of daily and ceremonial use.

Linda Zahava - Khamsa - (detail)

The history of henna

Henna has been used to adorn young women’s bodies as part of social and holiday celebrations since the late Bronze Age in the eastern Mediterranean. The earliest text mentioning henna in the context of marriage and fertility celebrations comes from the Ugaritic legend of Baal and Anath, which has references to women marking themselves with henna in preparation to meet their husbands, and Anath adorning herself with henna to celebrate a victory over the enemies of Baal. Wall paintings excavated at Akrotiri (dating prior to the eruption of Thera in 1680 BCE) show women with markings consistent with henna on their nails, palms and soles, in a tableau consistent with the henna bridal description from Ugarit Many statuettes of young women dating between 1500 and 500 BCE along the Mediterranean coastline have raised hands with markings consistent with henna. This early connection between young, fertile women and henna seems to be the origin of the Night of the Henna.

Linda Zahava's Henna Designs.

The Night of the Henna has spread around the world and is celebrated by most groups in the areas where henna grew naturally: Jews, Muslims, Hindus, Christians and Zoroastrians. All these cultures celebrated marriages by adorning the bride, and often the groom, with henna.

Henna workshops at Cafe Clock

A Warning about "black henna"

In the 1990s, henna artists in Africa, India, the Arabian Peninsula and the West began to experiment with para-phenylenediamine (PPD) based black .hair dye, applying it as a thick paste as they would apply henna, in an effort to find something that would quickly make jet black temporary body art. PPD can cause severe allergic reactions, with blistering, intense itching, permanent scarring, and permanent chemical sensitivities. Henna boosted with PPD can cause lifelong health damage.

Para-phenylenediamine is illegal for use on skin in western countries, though enforcement is lax. When used in hair dye, the PPD amount must be below 6%, and application instructions warn that the dye not touch the scalp and the dye must be quickly rinsed away. “Black henna” pastes have PPD percentages from 10% to 60%, and are left on the skin for half an hour.

Para-phenylenediamine “black henna” use is widespread, particularly in tourist areas. Because the blistering reaction appears 3 to 12 days after the application, most tourists have left and do not return to show how much damage the artist has done. This permits the artists to continue injuring others, unaware they are causing severe injuries. The high profit margins of ‘black henna” and the demand for body art that emulates “tribal tattoos” further encourage artists to ignore the dangers. It is not difficult to recognize and avoid para-phenylenediamine “black henna”:

  • if a paste stains torso skin black in less than ½ hour, it has PPD in it, and little or no henna.
  • if the paste is mixed with peroxide, or if peroxide is wiped over the design to bring out the color, it has PPD in it, and little or no henna.

Anyone who has an itching and blistering reaction to a black body stain should go to a doctor, and report that they have had an application of para-phenylenediamine to their skin.

A woman walking while her henna dries


Photo credits: Sandy McCutcheon

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Saturday, November 08, 2008

Art4Peace exhibition in the Fez Medina


"There are so many layers of meaning in everyone of the works and they will certainly reward the viewer who spends time contemplating them," - Curator Rose Demir.


Linda Zahava - Khamsa - (detail)

The Art4Peace exhibition at Cafe Clock, features the work of 16 American artists living in Morocco. It explores themes of peace, poverty, progress, diversity and tolerance as perceived through the lens of contemporary Moroccan culture.

Thanks to Jess Stephens from Clock Culture, The View from Fez had the opportunity to view the exhibition, talk with the curator and bring you photographs of some of the work. You can click on the images to enlarge them.

Dominique Ellis - Symbolic Laundry
(painted phone card abstractions)
Detail ( below)


Artists; Leslie Andrus, Karen Christiansen, Lindsey Dunnagan, Ned Epps, Dominique Ellis, Michael Frels, Rachelle Giard, Jessica Havilcek, Laura Hoppenjans, Janiela Howalt, Nate Johnson, Kristina Larson, Olga Shvayetskaya, Jong Son, Anna Witacre, Linda Zahava.

Guest Curator: Rose Demir

The driving force behind the exhibition is the guest curator, Rose Demir, a professional curator who has worked at the San Antonio Museum. Rose says that having so many gifted artists in the country at one time was too good an opportunity to let slip and so she approached the individual artists with the notion of creating an exhibition.

The response was overwhelmingly positive and as the artists got to work, Rose set about finding a venue to display the work. Fortunately she contacted Jess Stephens and arranged that Cafe Clock would display the results.

"There are so many layers of meaning in everyone of the works that they will certainly reward the viewer who spends time contemplating them," Rose says.

It is an exhibition worth visiting.

Jessica Havlicek - Ait Merghad Woman
(muslin, fiberfill, beads, embroidery, knitting, metal & paint)

Anna Whiteacre - She Sat
(watercolour & ink on paper)


Kristina Larson - Adberzack, Hijab, Spicy Bread, Ait Hamza
(Acrylic on board)


Dominique Ellis - Typography of Hearsay
(printmaking)


Not all of the artists had originally set out to create a work of art. Linda Zahava explained that her work - Khamsa (pictured below) was originally done as part of a meditation on peace and cross-cultural values. "A prayer for peace," she says, as the Khamsa symbol is found in both Jewish and Muslim traditions." Her drawing on the traditional henna motifs struck a chord with local Moroccan women who were quick to praise her work.

Linda Zahava - Khamsa.

The Auction

An auction of the works on display at Cafe Clock will be held at 5pm on Wednesday the 19th of November and the proceeds will benefit the Club Femme Association (Sefrou) dedicated to supporting at-risk women who are challenged by poverty, illiteracy, prostitution, drug abuse, and homelessness.

Photographs: Sandy McCutcheon



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