Showing posts with label marrakesh. Show all posts
Showing posts with label marrakesh. Show all posts

Friday, February 07, 2014

The Marrakech Hell's Angels ~ Guardian Photos.



The British The Guardian newspaper just published some interesting photographs of Marrakech women and motorbikes. Although the setup and execution of the photographs is contrived and highly stylised, they are worth a look


The Guardian reports that "British-Moroccan photographer Hassan Hajjaj has been out on the open road with Marrakech's bike gangs, who come prepared with polka dot veils, Nike djellabah and heart-shaped sunnies. Here's the best of his series Kesh Angels, on view at the Taymour Grahne gallery in New York City until 7 March".




See the full gallery of photos here:  The Guardian 

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Thursday, January 23, 2014

MARRAKECH MOROCCO TANGO 2014 - مراكش


A reminder that the very popular Marrakech Tango is coming up ~ 18th 19th 20th and 21st of April 2014



TANGO IN MARRAKECH, familiar and elusive, chaotic and ungovernable, the red city has everything to enchant the tango! Two passionate tango experts invite you to dance in the East.


The festival is headed up by Jorge Rodriguez, dancer, choreographer and teacher of Tango in Paris and Bordeaux. Jorge gives performances in Paris and abroad. His latest show "Quebrada Urbana" (Urban Fracture) is a very strong work of the expression of the Tango today. He also holds the famous Milonga "The Hermitage" in Paris.

Jorge's partner in Tango is Antoinette, Ben Kerroum, a  French Moroccan Dj described as "Sensual Oriental" and into music in Nice, Paris, Turkey, Italy, Spain, Greece, Germany, ... she invites you to "Arabian Nights" tangueras.

Details: 
Full price for the entire festival is 85 Euros
More info on website: Marrakech Tango

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Saturday, November 09, 2013

Marrakech Film Festival 2013 ~ The Film List


The 13th edition of the Marrakech International Film Festival runs between November the 29th and December the seventh. As The View from Fez reported previously, the opening night will feature Sanjay Leela Bhansali's Hindi romantic drama Ram-Leela and the festival will close with Lukas Moodysson's Swedish coming-of-age film We Are the Best! There are over one hundred films on offer.  Our film critic takes a look at some of the films to watch out for


Top of our list would be Terry Gilliam's latest Orwellian Sci-Fi satire The Zero Theorem.  The film stars Christoph Waltz, Lucas Hedges, Mélanie Thierry and David Thewlis. The script was written by Pat Rushin. The story centres on Qohen Leth, a reclusive computer genius working on a formula to determine whether life holds meaning. Gilliam has called it the final part of a dystopian satire trilogy begun with 1985's Brazil and continued with 1995's 12 Monkeys.

The Zero Theorem

Jeremy Saulnier's second film,  Blue Ruin, is another "must see" - but be prepared for galling and suspenseful take on the backwoods-gothic genre as it follows a bloody trail of vengeance to its cruel, absurd and logical conclusion.

Other highlights include James Gray's The Immigrant, Kore-Eda Hirokazu's Cannes-winner Like Father Like Son.  Many of the films in competition are first films from new filmmakers.



OTHER FILMS IN COMPETITION

AGAIN – (Japan) The first film by Junichi Kanai starring Yoshikura Aoi and Yagira Yuya
BAD HAIR - (Venezuela, Peru, Argentina and Germany) Film by Mariana Rondón starring Samuel Lange and Samantha Castillo
FEVERS - (France and Morocco) Film by Hicham Ayouch starring Didier Michon, Slimane Dazi, Farida Amrouche, Lounès Tazairt and Tony Harrison
HAN GONG-JU - (South Korea) First film by Lee Su-jin starring Chun Woo-hee
HOTELL – (Sweden) The second film by Lisa Langseth starring Alicia Vikander
HOW I LIVE NOW – (UK)  Film by Kevin Macdonald starring Saoirse Ronan
IDA - (Poland and Denmark) Film by Pawel Pawlikowski starring Agata Trzebuchowska and Agata Kulesza
LA MARCHE – (France) Film by Nabil Ben Yadir starring Olivier Gourmet, Tewfik Jallab, Lubna Azabal, Hafsia Herzi, Charlotte Le Bon, Vincent Rothiers, M'Barek Belkouk, Nader Boussandel, Philippe Nahon and Jamel Debbouze
MEDEAS - (USA, Italy and Mexico) First film by Andrea Pallaoro starring Catalina Sandino Moreno and Brian F. O’Byrne
THE GAMBLER - (Lithuania and Latvia) First film by Ignas Jonynas starring Vytautas Kaniusonis
THE SWIMMING POOL - (Cuba and Venezuela) First film by Carlos Machado Quintela
THE WISHFUL THINKERS – (Spain) Second film by Jonás Trueba starring Francesco Carril
TRAITORS - (Morocco and USA)  First film by Sean Gullette starring Chaimae Ben Acha, Soufia Issami, Nadia Niaza, Driss Roukhe, Mourade Zeguendi and Morjana Alaoui
VIVA LA LIBERTÀ – (Italy) Film by Roberto Andò starring Toni Servillo and Valeria Bruni Tedeschi
DERRIÈRE LES PORTES FERMÉES – (Morocco) Second film by Mohammed Ahed Bensouda starring Amal Ayouch, Zoubida Akkif, Abdellah Farkous, Bouchra Ahrich and Omar Azzouzi
KANYAMAKAN – (Morocco) First film by Said C. Naciri starring Afif Ben Badra, Sarah Kazemy, Mohamed El Achi, Anas El Baz, Younes Megri, Mehdi Ouazzani and Diouc Koma
SARA – (Morocco) Film by Said Naciri starring Layla Hadiu, Said Naciri, Iman Nakhad and Aziz Houbaibi
C’EST EUX LES CHIENS – (Morocco) Second film by Hicham Lasri starring Hassan Badida

The Immigrant

OUT OF COMPETITION

RAM-LEELA – (India) Sanjay Leela Bhansali starring Deepika Padukone and Ranveer Singh
A THOUSAND TIMES GOOD NIGHT - (Norway, Ireland and Sweden) Film by Erik Poppe starring Juliette Binoche
LIKE FATHER, LIKE SON - (Japan) Film by Kore-Eda Hirokazu
ONE CHANCE - (UK and USA) Film by David Frankel starring James Corden, Julie Walters, Alexandra Roach and Valeria Bilello
THE IMMIGRANT – (USA) Film by James Gray starring Marion Cotillard, Joaquin Phoenix and Jeremy Renner
THE REUNION - (Sweden) Film by Anna Odell starring Anna Odell
THE STONE - (South Korea) Film by Cho Se-rae starring Cho Dong-in and Kim Roi-ha
THE ZERO THEOREM - (UK, USA, France and Romania) Film by Terry Gilliam starring Christoph Waltz, Mélanie Thierry and David Thewlis
THOSE HAPPY YEARS - (Italy) Film by Daniele Luchetti starring Kim Rossi Stuart and Micaela Ramazzotti
WALTZ FOR MONICA - (Sweden) Film by Per Fly starring Edda Magnason

CLOSING FILM

WE ARE THE BEST! - (Sweden) Film by Lukas Moodysson

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Sunday, October 06, 2013

Cafe Clock Marrakech - A Sneak Preview



The rumours circulating about the imminent opening of the new Cafe Clock in Marrakech have been given added weight by the arrival on Facebook of a page dedicated to the cafe. For a long time Cafe Clock has been a popular food and cultural venue in Fez and after surmounting all the usual obstacles, it looks like Mike Richardson is about to add value to the Marrakech café culture. 


There is no word yet on an actual opening date - but it is expected to be very soon - we will keep you posted.

  The View from Fez wishes Mike and his crew all the best in Marrakech!

You will find their Facebook page here: Cafe Clock

DETAILS
Cafe Clock
224 Derb Chtouka, Marrakech, Morocco
05356-37855

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Friday, August 23, 2013

Marrakech Museum for Photography and Visual Arts To Open in 2016


David Chipperfield design concept

North Africa’s patchy museum scene is set to be enhanced with a new purpose-built museum dedicated to photography based in Morocco. The Marrakech Museum for Photography and Visual Arts, designed by the leading British architect David Chipperfield, is due to be built near the 12th-century Menara Gardens and is scheduled to open in 2016.

“The museum will focus its collecting across three genres of photography and lens-based media, both static and moving: architecture and design; photojournalism; fashion and culture,” says a press statement. On the issue of funding, a project spokeswoman would only say that the museum would be supported by a number of “private and corporate backers”.

The museum plans to launch a scholarship programme in partnership with the University of Arizona, enabling Moroccan students to take museum studies courses at institutions worldwide.


Meanwhile, museum officials have set up a temporary exhibition space that is due to open next month at the Badii Palace (pictured above)  in the centre of Marrakech with a display of ten contemporary Moroccan photographers including Hicham Gardaf and Leila Sadel.

The show is sponsored by the luxury hotel chain Sofitel. An exhibition of works by photographers from the high-profile Magnum agency follows in early November.

Text Gareth Harris.

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Friday, July 05, 2013

Creative Director for the Jardin Majorelle in Marrakech ~ Stephen di Renza


Stephen di Renza is a man described as having "feline chic". While that may be true, there is a lot more to the man who has just been appointed Creative Director of one of Marrakech's main attractions - the Jardin Majorelle.

Stephen di Renza in Fez

Like most New York intellectuals of his generation, Stephen di Renza studied Derrida and Lyotard as well as Warhol and the punk bands playing at Max’s Kansas City. After a B.A. in film study at NYU, the Philadelphia-born di Renza started out as a photo stylist for Interview magazine, did a stint as an industrial designer, and acted as fashion director for Neiman Marcus and Bergdorf Goodman.

In Paris he made his name as the Artistic Director for Dunhill where his style was described as "chic by subtraction". In Dunhill's Heritage Store di Renza mixed vintage pieces, modern re-editions and contemporary art.

Stephen in Paris   Photo : Vincent Lappartient

A long sojourn in Paris was followed by a move to Fez and the creation of Riad 9 and Resto 7.

Last year Di Renza met entrepreneur Pierre Bergé. "I really respect the people behind the Jardin Majorelle," Stephen says. The respect was obviously mutual and he clearly left a favourable impression with Bergé, who revived the fortunes of the Jardin Majorelle with his late partner Yves St Laurent. Recently di Renza received the job offer as Creative Director of what is one of the top attractions in Marrakech.

For a man with Stephen's considerable talents, it is, as he describes it. "a dream role". "I'm going to be creating all new products made in Morocco," he told The View from Fez. "I'm looking to combine modern Morocco with international savoir faire."

The Majorelle Garden

Majorelle is a twelve-acre botanical garden and artist's landscape garden in Marrakech. It was designed by the expatriate French artist Jacques Majorelle in the 1920s and 1930s, during the colonial period when Morocco was a protectorate of France.

Majorelle Gardens - photo: Suzanna Clarke

Majorelle was the son of the Art Nouveau ébéniste of Nancy, Louis Majorelle. Though Majorelle's gentlemanly Orientalist watercolors are largely forgotten today (many are preserved in the villa's collection), the two and a half acre garden he created is his creative masterpiece. The special shade of bold cobalt blue which he used extensively in the garden and its buildings is named after him, bleu Majorelle — Majorelle Blue.

The garden hosts more than 15 bird species that are endemic to North Africa. It has many fountains, and a notable collection of cacti. It has been open to the public since 1947. Since 1980 the garden has been owned by the late Yves Saint-Laurent and his partner, Pierre Bergé.

After Yves Saint Laurent died in 2008 his ashes were scattered in the Majorelle Garden.

The garden also houses the Islamic Art Museum of Marrakech, whose collection includes North African textiles from Saint-Laurent's personal collection as well as ceramics, jewelry, and paintings by Majorelle.

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Thursday, May 23, 2013

Buying a House in Marrakech?


The New York Times has just run an article on buying a restored riad in Marrakech. It comes as no surprise that they have concentrated on the very top end of the market.  While prices have dropped across the country, the Marrakech market still appears over inflated. By contrast the prices in Fez are far more reasonable.


Restored 19th century home in Marrakech - $1.3 million (11 million Dirhams) 

This traditional Moroccan house (pictured above) , known as a riad, has 4,300 square feet of space over two floors surrounding an enclosed courtyard. Dating to the 19th century, it has five bedroom suites and a multilevel roof terrace with views of the minarets of the medina, or old city, of Marrakech, according to Younes Cherkaoui, an agent with Mauresque Immobilier, which has the listing.

Built by a respected local family and called Riad L’Aziza, the house was restored about 12 years ago; it now serves as a guesthouse and is being sold furnished.

 The courtyard, divided into four symmetrical plant beds with a central fountain, has walkways, columns and other plaster-covered surfaces set with elaborate terra-cotta tilework of blue, green, gold and cream. Rooms opening onto the courtyard on the ground floor include a Moorish living room bordered with delicately carved plaster designs and a carved cedar ceiling.

Nearby are three bedroom suites with tiled walls; their bathrooms are walled in colorful plaster. The ground floor also has an office and a kitchen with a service entrance.

The second floor has two bedroom suites, each with a fireplace and a private terrace.

The salmon-colored roof terrace has three open-air living and dining rooms at different levels, along with an area for sunbathing and a spa room. Arched doorways and transoms of intricately carved cedar are found throughout the house, as are stained glass, ornate ironwork and traditional Moroccan sconces and rugs.

The riad is in the center of Marrakech in the medina, about a five-minute walk from the main square, Jemaa El Fna. Riad L’Aziza is about 20 minutes from the international airport, Mr. Cherkaoui said.


 MARKET OVERVIEW 

 In the five years leading to the international financial crisis in 2008, house prices in Morocco rose 35 to 40 percent; since the crisis they have settled in at 20 to 30 percent below their peak, said Loïc Raboteau, the head of the French and North Africa Law Department at the law firm Kobalt Law in London.

Foreign buyers typically constitute about 10 percent of the residential real estate market, and many prospective buyers have had a “wait-and-see” attitude about North Africa since the crisis, compounded since then by the turmoil of the Arab Spring, which started in 2011, said Soraya Fahim, a manager of the residential department at the brokerage CBRE in Morocco.

 Tourist areas like Marrakech and Tangier area have been the hardest hit. But the Moroccan government’s demonstrated stability and the passage of new fiscal policies have had an encouraging effect on foreign buyers, particularly from France, Ms. Fahim said.

 According to Mr. Raboteau, prices in Marrakech last year decreased by 1.7 percent while remaining stable nationally; the number of property transactions countrywide increased by 7.8 percent.

The highest-end properties are selling for about 2,500 euros per square meter currently, or about $300 a square foot, said James Price, the head of the international development team for the brokerage Knight Frank. Riad L’Aziza is priced in this range.


 WHO BUYS IN MARRAKECH

 Most foreign buyers tend to come from France, Belgium and Switzerland, Ms. Fahim said. “We’ve also noticed recently some demand coming from countries like Russia and the United Kingdom,” she added.

Moroccans living abroad also constitute an important group of buyers and investors.


 BUYING BASICS

 There are no restrictions on foreign buyers, Mr. Raboteau said. The process resembles that of France, in that notaries handle most aspects of the transaction, though foreign buyers would be advised to hire an independent lawyer as well.

“Don’t expect the notary will give you legal advice,” Mr. Raboteau said. “His role is to check the identity of the parties, draft and register the deeds.”

Buyers can expect to pay about 6 percent of the sale price in taxes and fees, he said. Mortgages are available, with a down payment of at least 30 percent.

 WEB SITES 

Riad L’Aziza site: Riadlaziza.com 
Moroccan National Tourist Office: VisitMorocco.com
Moroccan government portal: Maroc.ma
Official Marrakech travel guide: Marrakech.travel 

 LANGUAGES AND CURRENCY

 Arabic, Berber; Moroccan dirham (1 dirham = $0.12)

TAXES AND FEES

 The annual property taxes on this home are about 6,000 dirhams, or around $695.

 CONTACT

Younes Cherkaoui, Mauresque Immobilier, 011-212-6-6000-5555, mauresque-immobilier.com

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Monday, May 06, 2013

Caftan 2013 ~ A Marrakech Fashion Extravaganza

Last weekend saw the opening of the 17th edition of Caftan, one of the most prestigious events in the traditional Moroccan haute couture scene. It is all over in only a couple of hours, but the work behind the glitz and glamour has taken months.


There is tremendous competition even before a single caftan glides down the catwalk. Only fifteen fashion designers are selected from the more than 50 who submitted their portfolios to the organizers. Once chosen, the designers have only four months to prepare a collection of eight caftans.  Then comes the tension of waiting to see how the critics react to the new designs.

Top fashion designer Meriyem Boussikouk from Casablanca (pictured left) has 20 years of experience in the industry. Yet she said she was still nervous about how the public would react to her new collection. “We have been nervous since we started preparing for the show, and our nerves grow as the event gets nearer, because we are not sure about ourselves 100 percent. There are new creations as well as new ideas we want to propose to the public, and we are not sure about the reaction (it’ll get). Will the public accept or reject what we offer?”

The theme chosen by this year’s event organizers, a Fashion magazine called FDM, or Femmes du Maroc, was “Women of Legend”. The designers were to be inspired by a variety of women who made history for a variety of reasons, such as Audrey Hepburn, Umm Kulthum, Cleopatra, Coco Chanel and Marilyn Monroe among others.


Khalid Bazizd, the show’s producer, said the goal was to pay tribute to these fascinating women who seemed to have had everything: beauty, power, talent, knowledge and glory. “We chose the theme of ‘Women of Legend’ because it inspires fashion designers. These women have always been full women (the embodiment of womanhood). In the Moroccan history, we took Kahina. We also chose Umm Kulthum, Marilyn Monroe and other women. The most important thing is that women are not there just to complement men. At the same time, we revisited the history of Morocco as well as the world’s history to put women up front. What can you find more beautiful than a caftan to showcase women?”

Designer Dany Atrache
Each edition of Caftan has a guest of honor, and this year it was the turn of the French-Lebanese designer Dany Atrache. “I came to Morocco to learn how Moroccans work on this traditional garment, because there is a lot of work involved in it and also it is made in a special way,” said Atrache. “We cannot call it a designer piece, because a designer piece is linked to fashion that changes every six months. Here, we are talking of a traditional garment that is centuries old, yet it looks as new. It is not easy to reach this level of perfection,” he added.


The audience was entertained by colourful dance sequences inspired by Coco Chanel, Marie Antoinette and Marilyn Monroe. The Choreographer was Moroccan Malika Zaidi. “I will show off all these women through choreography and acting. What strikes me most is the beauty. For me, all women are beautiful regardless of their shape. They could be tall, short or fat - they are always beautiful”.


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Thursday, April 25, 2013

Marrakech Menara in the Top 10 African Airports


Good news for Marrakech Menara Airport - it is has been ranked ninth in the Top 10 of the best airports in Africa by the "World Airport Awards 2013". This classification occurs after an annual satisfaction survey organized by Skytrax, a consulting agency based in London, with the airport users in over 160 countries

Marrakech Menara Airport

 The airport is the only one to enjoy this place in the Maghreb. In addition, Marrakech Menara climbed into fourth place in the category "Regional Airports" in Africa giving it a certain prestige.

However things are not so rosy for the national airline. Royal Air Morocco faces competition from low cost airlines and says that "2014 may be a very difficult year for the company. And even if the year 2013 is okay, it will not be the same for 2014."



The statement from Royal Air Morocco (RAM) was cited by the newspaper The Economist,. According to the statement the problem is largely due to competition from low-cost airlines.

 If nothing is done, 2014 is likely to be very difficult "one year, said the source, noting however that the results of the company are positive so far and exceed the expectations of the program contract, signed in late 2011 with the state. This included, for the record, an investment plan of 9.3 billion dirhams for the period 2011-2016.


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Friday, April 05, 2013

Marrakech ~ The Connected Medina


The View from Fez's man in Marrakech, Derek Workman, in a philosophical mood finds himself contemplating "interconnectedness"...




I was reading the other day that when a group of school kids were questioned about where they thought milk came from, most of them had no idea it came from a cow. A fridge shelf in Tesco seemed to be the main suspect. While it may be easy to snigger at the ignorance of modern children of some of the basics of life, it occurred to me that there are plenty of things that we take for granted, totally unaware of the story behind them.

Take the beautiful babouches, the soft leather slippers we see in rows lining walls in tiny shops in the souk. When you bought a pair did you ever think about where they came from? Probably not, but they certainly didn’t just appear thanks to the babouche fairy. Admittedly some are now being mass produced, but others are still made by hand, and their story, and that of much of the beautiful artistry we take home as gifts and souvenirs, is intricately woven into the whole fabric of life in the Medina.

This point was brought to mind when I was taking a walk through the Medina with Abdellatif Benhrima. Born and bred there, he knows the maze of alleys like the back of his hand, and as we wandered through the streets behind the Musee de Marrakech, he suddenly ducked into a vaguely disreputable-looking foundouk, one of the antiquated courtyards that provided both accommodation and sales space for travelling merchants for hundreds of years. Some of these foundouks have been restored as riads, but equally as many still maintain their original function as small workshops and commercial premises. Unfortunately, while some have been kept in reasonable condition, others suffer badly from years of neglect. It was strange to compare the world I’d stepped into of freshly-dyed skins drying in the sun, mopeds and beat up old handcarts with the décor of Le Foundouk, the chi-chi restaurant of choice of the tantalisingly rich, almost next door.

We went into a workshop tucked in a corner, no more than about three metres by one-and-a-half, where a man in white skull cap and thick brown corduroy jacket against the cold was carefully applying a soft white leather covering to the thicker leather of a belt. This was where, between the ages of twelve and fourteen, Abdellatif had worked, making slippers, belts and soft leather bags, sharing the space with four others.

In the inevitable ceremony of welcoming a friend, Abdellatif and I were offered tea. (And here I was introduced to one of the finer points of the Moroccan tea ceremony; if you are offered a glass of tea you are welcome, if you are asked to sit, chat and watch the tea being made, you are very welcome, as it’s an opportunity to chat and while away a few minutes while the tea is brewing.) While Abdellatif and his friend, Mustapha, caught up with their news I picked up a soft, beautifully embroidered shoulder bag in warm, rose-pink lying on the makeshift sofa beside me. I could see it draped across the shoulder of my granddaughter, and her smile as she received it. The bag wasn’t quite finished, it needed a strap and fastenings, but I asked how much it was.

‘You are here to take tea,’ said Mustapha, ‘not to buy something.’

As the guest I was offered the first sip from the single glass in Mustapha’s workshop, and when we’d each had a drink and the pot was being topped up for a second round, he climbed on his bike and rode off into the souk in search a strap so my granddaughter’s gift could be finished. A few minutes later, an elderly gentleman in a white djellaba appeared at the doorway, enquiring about the belts Mustapha had been working on. After exchanging a few pleasantries with Abdellatif, he took them and went on his way. He was the buckle man, who would punch the holes in the belt and fix the buckles. He would bring the rough leather belts to Mustapha for covering, and either sell the finished product himself or pass them on to someone else who had ordered them.

And that’s when the interconnectedness of the Medina struck home to me.

Mustapha would decide on the products he would make that week, whether to order or for him to sell direct to a shop. He would buy the few skins sufficient for his needs from the daily auction in the leather market and would then dye them himself and dry them in the courtyard of the foundouk or hand them over to someone to dye to his choice of colour. When the skins were prepared he would cut them to the pattern of the model he was making that week and then hand them to a woman who did the painstaking embroidery at home, as a way to supplement family income. When the pieces came back he would assemble them, then cycle to a cupboard-size shop to buy the silken cord that would make the shoulder strap, of exactly the right shade to match the dyed leather. He then covered the press stud fastenings in leather and fixed them in place.

One day each week he would gather his bags, or belts, or slippers together, and perhaps those of his family made in other miniscule workshops, and take them to his customers in the souks. If one shop didn’t buy them, another would. He would buy his vegetables from the food market and bread from the bakery that form part of the five ‘hearts’ of the quartier, his meat from the local butcher with a whole lamb hanging from a hook, and his groceries from one of the dozens of narrow cavernous shops almost within an arms-reach of his home. Everything contained within the walls of the Medina, each having his role to play in the highly organised chaos of life within the rose-pink walls.

Abdellatif Benhrima "in Marrakech".

You can read more of Derek Workman’s work at spainuncovered.net
This post was first seen on villadinari.com

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Friday, March 29, 2013

Bertrand Bellon exhibition at the Musée de Marrakech


From 1 April to 30 June, the Musée de Marrakech – Omar Benjelloun Foundation will organise an exhibition dedicated to Bertrand Bellon, titled “Les Ombres de Majorelle.”


Bertrand Bellon is a French painter and photographer who lives and works in Paris. As a researcher in social sciences who turned towards painting in 1980, he stated the following about his background: “As an academic, I have always linked research, teaching and practical onsite actions in very diverse cultural environments. This in turn led me to use different media to enable the integration of such situations. I have consistently used the camera, the pencil, even pastel and charcoal to help me in my research.” He regularly exhibits his work just about anywhere in the world, in France, in Morocco, in China, in Tunisia, in Vietnam, in Japan as well as in Pakistan.


The Musée de Marrakech – created through the initiative of collector, philanthropist and patron Omar Benjelloun – is located in a palace built at the end of the 19th century. It is dedicated both to heritage and contemporary creation. Its collections are comprised of archaeological, ethnographical and historical objects, retracing the evolution of the Moroccan civilisation. It also houses several works by orientalist artists, and a contemporary art collection including a large ensemble dedicated to Moroccan artists.

Musée de Marrakech
Fondation Omar Benjelloun
Place Ben Youssef - Marrakech-Médina

Tél.: +212 24 44 18 93
Fax: +212 24 44 19 01
mail: musee.de.marrakech@menara.ma


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Wednesday, March 13, 2013

Change of Ownership for Dar Tassa Eco Lodge

Back in 2009 The View from Fez was fortunate enough to be guests at the wonderful Dar Tassa Eco Lodge located an hour and a half from Marrakech (see our story here). Now we have news that the lodge has been sold to an English tour operator, Specialist Morocco


Dar Tassa, is an eco-friendly mountain lodge tucked away in a superb location on the edge of Toubkal National Park and sleeps a total of 21 people in eight rooms, each furnished in a rustic Berber country style. Rooms are available to rent individually or groups can take over the entire property; ideal for celebrating a special birthday, anniversary, Christmas or New Year.

Dar Tassa has a resident manager, Mohamed Ouarra, who spent much of 2012 looking after the property. Prior to that, he was trained and employed at Riad Africa, also owned by Specialist Morocco and located in central Marrakech in the Medina. Dar Tassa still retains the services of  the highly-skilled, in-house cook, Fatima, who prepares traditional Berber and Moroccan meals.


Nick Anstead, founder of Specialist Morocco says: “Dar Tassa is a wonderful property in a dramatic location. It is completely off the beaten track in a hidden corner of the High Atlas Mountains yet offers superb walking for all levels of ability; from gentle strolls along the valley to more challenging treks from the front door all the way to Mount Toubkal, the highest mountain in North Africa.

“We will be refurbishing some of the rooms and adding a plunge pool and two family suites over the coming months. It is currently a comfortable mountain lodge but we want to put it on a par with our two properties in Marrakech, Riad Africa and Maison Africa, which we consider to be two of the most authentic and best value riads in the Old City. The operating of all three properties will be overseen by British ex-pat Peter Mercer, from our Marrakech office.”


Other facilities at Dar Tassa include a large panoramic terrace surrounded by high peaks with views of the tranquil Azzadene valley and Assif n’Ouissadene river, a Berber tent for afternoon siestas; a traditional Beldi hammam, a lounge and dining room – with open fires for winter evenings, a purpose-built kitchen for cookery classes and even a telescope for star-gazing in the often crystal-clear skies over the mountains.

Activities that can be arranged by Specialist Morocco include private guided day walks (with overnight accommodation for longer High Atlas treks), small group treks, 4x4 discovery tours, buggy adventures, quad and mountain biking.


For those who previously experienced the beauty of Dar Tassa, be aware that prices have climbed somewhat. A three-night ‘Atlas Experience’ costs from £289 pp (based on 4 sharing). This includes three nights’ half-board, private transfers to and from Marrakech, a guided day walk with lunch in Toubkal National Park plus a half-day Berber experience tour.

For further information, visit specialistmorocco.com
All photographs: Sandy McCutcheon 

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Wednesday, February 27, 2013

The Vanishing World of Moroccan Storytellers


Back in 2011, The View from Fez reviewed Richard Hamilton's book of stories from the few remaining storytellers in Marrakech (see our review here). Our regular contributor Derek Workman reports that there is now only a single storyteller left in the Jmaa el Fna


When you walk through Jmaa el Fna on a regular basis you become accustomed to all the performers that give the square such a lively and special feeling; the snake charmers, gnawa musicians, the water carriers and girly-boy dancers who flash their eyes at you from behind tasselled scarves. At one time you could have included storytellers in that list, but, almost unacknowledged, they are dying out, and it seems that there is only one traditional storyteller left in la Place, and he doesn’t perform on a regular basis now.

I was at a book reading recently of The Last Storytellers by Richard Hamilton, and it saddened me to hear that without realising it Marrakech has all but lost a tradition going back almost a thousand years. And unfortunately, in these days of TV, DVD and pirate videos, once it’s gone we’ll never get it back.

Richard has worked with the BBC World Service as a broadcast journalist for fifteen years, and spent a year in Rabbat as their Moroccan correspondent. While he was there he travelled regularly to Marrakech and became so intrigued by the storytellers in Jmaa el Fna that he suggested to the BBC he did a programme on them. It was while he was recording the programme that he realised that within a very short space of time there would be no-one left to entertain the audiences with their fanciful tales. He kept returning to Marrakech over the next couple of years, searching in the Medina for the old storytellers, who were mostly dead or retired by then, so he could record their stories before they were lost for ever. The result was The Last Storytellers – Tales From the Heart of Morocco.

“Marrakech is the heart and lifeblood of Morocco’s storytelling tradition, and there have been storytellers gathering their audiences there for almost a thousand years. The stories from Marrakech are particularly rich because they are influenced by traditional Arabic stories from the Middle East, then there’s the Berber civilisation that has filtered down to these stories, and some of them have influences from sub-Saharan Africa, so I think that’s probably what makes them so rich.”

These tales would once have had a huge educational, religious and moral impact on their audiences, and they can often be understood on varying levels, but as much as anything they gave the listener a short break from the realities of life.

The Storyteller Jemaa el Fna 1984
(Courtesy Dar Balmira Gallery, Gzira Fes Medina)

“These are really morality tales in which the underdog, the poor, the down-trodden beggar, succeeds against the evil, rich, scheming sultan, vizier or corrupt judge, and that was very important for the original audiences of these stories because they would be poor themselves, and in their own lives they wouldn’t have had any success or power or status. So I think that was their form of escapism, a bit like modern-day cinema where people go to dream, and this is what people gathered around a storyteller for.”

Unfortunately, we’re never going to be able hear the stories Richard Hamilton gathered from the storyteller’s mouth, but you can enjoy a wonderful selection of Moroccan fables in The Last Storytellers. Richard has kindly given us permission to re-print one of his tales.

The Birth of the Sahara as told by Ahmed Temiicha


A long time ago, when the earth was very young, it was one huge garden covered in tall palm trees and perfumed jasmine, and the songs of nightingales flooded the landscape with their gently melodies. At this time, all men were loyal, trustworthy and honest. In fact, the word ‘lie’ did not even exist.
But one day, someone told a lie. It was a very small lie and of no importance, but it was the end of man’s childhood and the age of innocence.
So God summoned all the men on earth together and said to them, ‘Each time one of you lies, I shall throw a grain of sand onto the earth.’
The men looked at each other, shrugged their shoulders and said to themselves, ‘A grain of sand? What difference will that make? You can hardly see a grain of sand.’
And so lie after lie, little by little, the Sahara gradually came into existence, as God threw grains of sand onto the earth from the heavens above. But here and there the odd oasis can still be seen. These are the traces of the original garden, because not all men lie.


Derek Workman is an English journalist living in Valencia City, Spain – although he admits to a love of Morocco and would love to move here. To read more about life in Spain visit Spain Uncovered. Articles and books can also be found at Digital Paparazzi.

This post first published on the Villa Dinari web site

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