Thursday, May 31, 2012

The Dreamliner arrives in Morocco


It's finally done! After months of waiting, Royal Air Morocco (RAM) has taken ​​the first delivery of four B787 Dreamliner aircraft ordered the American aircraft manufacturer Boeing.

It will be a B787 - when it grows up!

On this occasion, a formal presentation has been scheduled next Monday at the Mohammed V airport in Casablanca.

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Art exhibition opens in Fez - a feast of colour


A combined art exhibition featuring the paintings of New York artist Margaret Lanzetta and selected pieces from the embroidery collection of Michel Biehn opens on Friday June 1 at 6:30 pm at Galerie du Jardin des Biehn.


Artist Margaret Lanzetta with pieces from the new exhibition

Seven Types of Terrain is a dialogue between the 14 paintings and 6 textile pieces, where the colours and patterns in each complement and enhance one another.

"Textiles are often formed by repetition, creating patterns which are a physical mantra in the making," says Lanzetta. "Patterns migrate from one textile to another, which is similar with my work...Geometric and organic patterns become almost like a cultural language that travels."

Her largest piece, Dharma Index (red) is a screen print featuring sections of 25 mosque floor plans from the Islamic diaspora, ranging from China, India and Asia, to the United States and Europe. "The piece is about the universality of spirituality," explains Lanzetta. "It shows the pan-world view of Islam, with mosque plans dating from 600 AD to 2011." The palette, with reds and neon pinks, is Hindu, while the title is a reference to Sanskrit.

Born in the United States, Lanzetta received her MFA in Painting from the School of Visual Arts in New York. She has exhibited throughout the United States and internationally and has had two Fulbright Senior Research Fellowships, which took her to Germany, India, and Syria.
 Her sculptures and paintings are part of the permanent collections at prestigious institutions such as the Museum of Modern Art (New York), the British Museum, and The New York Public Library.

Internationally renowned decorator and hotel owner, Michel Biehn, has acquired a remarkable collection of textiles over more than three decades. The pieces selected for Seven Types of Terrain include ones from Rabat, Uzbekistan, Pakistan and Afghanistan.

Seven Types of Terrain runs from June 1 - 18. On Wednesday June 13 you can meet Margaret Lanzetta at the gallery and her talk about her work. It's on at Galerie du Jardin des Biehn, 13 Akbat Sbaa, Douh, 30110, Fes Medina. Free entry.
www.jardindesbiehn.com   www.MargaretLanzetta.com


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Film Noir at the Fez Film Festival



The second edition of the Fez Film Festival is all about Film noir. Running over three days (1, 2 & 3 June), at 17h and 19h30, the screenings take place at Cinema Rex. Prices are very reasonable; members and students: 10 dh and non-members: 20 dh


Click on programme to enlarge

Film noir is the cinematic term used initially to describe stylish Hollywood crime dramas, particularly those that emphasize cynical attitudes and sexual motivations, which then influenced similar films in other countries. Hollywood's classic Film noir period is generally regarded as extending from the early 1940s to the late 1950s. Film noir of this era is associated with a low-key black-and-white visual style that has roots in German Expressionist cinematography. Many of the typical stories and much of the attitude of classic noir derive from the hardboiled school of crime fiction that emerged in the United States during the Depression.

The term Film noir, French for "black film", first applied to Hollywood films by French critic Nino Frank in 1946, was unknown to most American film industry professionals of the classic era. Cinema historians and critics defined the noir canon in retrospect. Before the notion was widely adopted in the 1970s, many of the classic Film noir works were referred to as melodramas. The question of whether Film noir qualifies as a distinct genre is a matter of ongoing debate among scholars.

And, for those who would like to find out more there will be a discussion after every screening.

The Fez Film Festival is an initiative of the French Institute in Fez - http://www.institutfrancaisfes.com/

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Fez - Where Hamadcha Sufis Meet a DJ


The notion of a group of Hamadcha musicians teaming up to perform with a DJ may seem a little odd, to say the least. At first, it would seem like the ultimate mismatch - ancient musical chants, age-old instruments, next to a Dj ClicK's stack of electronic equipment. Yet, as Sandy McCutcheon discovers, the result is a stunning fusion of the old and new.







The video - Dj ClicK meets Hamadcha Fez - was filmed during the recording of a new album, entitled Click Here - Fez. Dj ClicK describes the result as, "a Euro-Mediterranean creation and ritual Sufi, where tradition alongside modernity."

Dj ClicK is described as one of France's most adventurous DJs. DJ Click is as passionate for Electronic music as for traditional World music. He worked with the singer Rona Hartner for an "Electro-Gypsy" album, as well as with Nu-Jazz band UHT or with Gnawa Njoun Experience for an "Electro-Oriental" project.



Dj KlicK

The result of this collaboration between Dj ClicK and the Hamadcha makes for truly interesting listening.  The inclusion of a jaw-harp is totally unexpected but the instrument feels as if it belonged there all along. Most gratifying is the fact that the electronic music enhances rather than detracts from the spiritual music of "the heart".  This was a brave undertaking and one that is ultimately satisfying.

photo Sandy McCutcheon


The Hamadcha of Fez have distinguish themselves by their will to preserve the brotherhood from a possible disappearance. Their thorough knowledge of the repertoire and their remarkable musical skills make them the most renowned and valued Hamadcha of Morocco. Both musician and a Sufi master, Abderrahim Amrani Marrakchi is one of the last group leaders – “moqaddem” – of the Hamadcha brotherhood. He is unquestionably the most famous moqaddem, valued for his erudition and his great musical skills.

Abderrahim Amrani Marrakchi -photo Sandy McCutcheon

He was born in 1967 in Fez. When he was a child, he joined the brotherhood in a group that was at that time led by his father. He was trained as a musician and became leader of the group in 1985. He is concerned about the preservation of the Hamadcha’s heritage, which is endangered by the modernization of Morocco, and devotes a large amount of his time to training children.

The Hamadcha onstage with Ismael Lo - photo Sandy McCutcheon

His group regularly performs in traditional music festivals, in Morocco and abroad. A previous The highlight of the evening came in 2009 when members of the Fez Hamadcha Sufi Brotherhood joined Ismael Lo on stage at the Fez Festival of World Sacred Music. The Hamadcha brotherhood was founded by Saint Sidi Ali Ben Hamdouch in the seventeenth century, and has become famous through the originality of its repertoire, its spellbinding dances, and the trance-therapy skills of its members.

Frédéric Calmès - photo Sandy McCutcheon

The Hamadcha of Fez also include the remarkable French musician and anthropologist, Frédéric Calmès, who regularly acts as spokesperson in media interviews and onstage introductions. His performance on this album is superb.


This project would not have been possible without the considerable support of the French Institute in Fez 


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Wednesday, May 30, 2012

Morocco's Public Media Debate - Continues

The Moroccan government's announcement that it would issue new public media guidelines at the end of May has reignited a stormy debate around independent media in the kingdom.



The debate began nearly two months ago when the Islamist government, led by Abdelilah Benkirane, forced public television channels and radio stations to broadcast the five daily calls to prayer, which put many citizens on the defensive against what they saw as a deliberate attempt to Islamise an otherwise moderate sector of society.

The new law was supposedly imposed in an effort to decrease the prevalence of the French language in favour of Arabic, though experts and activists were quick to point out that the government did not pay nearly as much attention to broadcasting Amazigh, the original language of the country, over the airwaves.

For years, the 6th public television channel, as well as the public radio station 'Mohammed VI for Saint Koran', have been completely dedicated to religious issues 24 hours a day, seven days a week.

Following his ascension to the throne in 1999, King Mohamed VI jumped headlong into this debate by announcing his "project of the modernist and democratic society", supposedly aimed at curbing the presence of extremist Islam in the public realm.

The King, who approved a new constitution on July 1 last year that grants the monarch substantial powers of arbitration, has come under fire for dishing out an inadequate response to the complicated debate.

Last month, his new head of government, Benkirane, of the Justice and Development Party (PJD), declared that the old, 'Islamised' guidelines were not set in stone and could be amended. The controversial law was scrapped, sparking scattered debate around the complicated issue of media in Morocco.

'Islamisation' a hurdle to democracy?


Fayçal Laâraichi, director of the country's national broadcasting corporation, SNRT, told the daily 'Al Ahdath Al Maghribia' newspaper last month, "The independence of the public media is sacred."

Laâraichi warned that the new manuals have to respect "openness, pluralism, linguistic diversity and the national identity", all enshrined in the country's constitution.

But his reaction has been criticised as having its own agenda.

"There are (some professionals) who stereotype Islamists as a threat to openness and modernity," Ismail Azzam, a columnist for the local Hespress magazine, told IPS.

Moulay Touhami Bahtat, editor-in-chief of the local 'Assdae' ('Echoes') publication, believes, "Saying that the Islamists use the public media to Islamise (our) society reveals a blatant ignorance of the (situation)."

According to him, "The reality is that the public media was always an island completely separated from its environment, whose (practitioners) continue to act as if satellite dishes do not exist."

Citizens have long lamented the poor quality of programmes on public TV, while management of the public media has been under close scrutiny since "official reports from the Supreme Court indicated very grave financial gaps (in the media's accounts). The people in charge of the public media not only have to leave, but must be judged" on the issue of corruption, Azzam said.

The real fight, according to him, is not between Islamists and modernists, but between good governance and mismanagement. "Even if there were a leftist government, the opponents of the reform would have accused it of secularising the public media," he explained. Abdessalam Benaissa, a prominent writer, commented in Hespress last month, "the suspension of the manuals (by Benkirane) without so much as informing citizens means that the first experience within the framework of the new constitution, namely the right of citizens to information, has just been violated."

He is not alone in this critique. "The intervention of the palace in the affair of the media manuals was expected because we are not still at the stage of a parliamentary monarchy," Azzam commented, referring to the core demand of the February 20th movement, for a separation of powers between the monarch and the government.

Benkirane, who was then the leader of the Islamist opposition, opposed the movement and stubbornly defended executive powers for the monarch.

"The head of the government shows courage only against unemployed graduates," commented Azzam ironically, hinting at the violent police interventions against demonstrations by unemployed youth.

According to him, Benkirane benefits greatly from the current political order, in which the monarch retains several executive powers and Benkirane himself has a great deal of authority.

Mohammed Nabil Benabdellah
A governmental committee, chaired by the minister of housing and former minister of communications, Mohammed Nabil Benabdellah, is now in charge of establishing new media guidelines, which will be released no later than the end of this month.

The government is bound by law to establishes media guidelines and subject them to the High Authority of Communications and the Audiovisual sector (HACA), which ratifies the new rules before making them public on an official bulletin board.

Though the new guidelines have already been ratified, Fatiha Aarour, a HACA representative, told IPS, "Professional secrecy forbids us from speaking to the press about this issue."

Originally posted in AllAfrica.com

Several Moroccan commercials have lately come on fire for undermining social and family relations by inciting wives against their husbands and ridiculing the mothers-in-law.

According to a report on Al Arabiya News, several private radio stations, TV channels, and websites have been broadcasting commercials perceived by many as violating social norms in order to promote the advertised product.

Some commercial advice women to be harsh with their husbands while others portray the mother-in-law as an intruder who needs to be gotten rid of for the sake of the family’s peace of mind.

This has prompted many activists to launch pages on social networking website Facebook to express their anger at commercials that “insult men” by telling women to mistreat them if they want to “live in peace.”

The campaign against the commercials aims to call upon the relevant authorities to be firm with companies that produce them and the media outlets that communicate them to the public due to their negative effect on Moroccan society, especially the uneducated people, said Monsef Farouhi, the admin of one of the Facebook pages.

“Those commercials usually address uneducated women who follow the advice without thinking. This affects their behavior and their relationship with their husbands,” he told Al Arabiya.

An official at the Higher Authority of Audiovisual Communication, who spoke on condition of anonymity, said the authority, which is in charge of monitoring the performance of audio and visual media, will not hesitate to take firm action against any media outlet that violates the principles of Moroccan society.

“However, we have not yet made a decision about the commercials that have caused this controversy,” he told Al Arabiya.

The reason for the prevalence of such commercials, the source explained, is that some channels or websites take advantage of the amount of freedom available to the media in Morocco to broadcast material that contradict the socially established laws of the conservative Moroccan society.

“These bodies only care about financial gains and do not pay attention to the negative social or ethical impact.”

The controversial content, he added, is not necessarily presented in an indirect way.

“Some commercials undermine social values in a subtle way in order to promote the product or service they are offering.”

(Translated from Arabic by Sonia Farid)

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Barcelona FC Set to Play in Morocco



The announcement that Spanish giants FC Barcelona will travel to Morocco for a lucrative summer pre-season tour, playing a friendly match against a local side in the city of Tanger on July 28th, is great news for Moroccan "Barca" fans. The news was confirmed by an official from the Morocco ministry of sports on Tuesday.


The 2011 UEFA champions will be paid €1 million for their participation in the encounter. The organisers say that the match will pay homage to Morocco’s soccer legend Abdelmajid Dolmy,now 59 years of age.

“On July 28, the city of Tangier in northern Morocco will welcome Lionel Messi and his team mates. A friendly match against a squad of Moroccan stars will play against the guest team,” said Hamid Faridi, media officer of the sports ministry. Les prix des tickets match FC Barcelone vs le Maroc : 290 DHs to 2000 DHs a seat!

Tangier will welcome Tito Vilanova’s Barça 38 years after the Club last set foot in Morocco 

The game will be the fourth the Club have played in Morocco, with the other three played in Casablanca – twice in 1969 and once more in 1974 (pictured above).

‘Visca Tanja’

The game will played under the slogan “Visca Tanja” mixing both Catalan and Arabic and Barça will face a Moroccan select XI under the charge of one of the country’s best known coaches Rachid Taoussi, who has won three titles this season with the Moroccan First Division outfit Maghreb de Fez. The visit of the Club will also coincide with a number of social action initiatives.

Three previous games

The first time FC Barcelona played in Morocco was on August 30th 1969, when they played for the Mohammed V Trophy in Casablanca. Their first opponents were the Brazilians São Paulo and Barça won 0-2 to go through to the final against Bayern Munich, who they beat on penalties.

Five years later, on May 1st 1974, the team were back in Casablanca for a friendly against the Moroccan team W.A.C., which they won 0-3.

Now, nearly 40 years later, the thousands of Barça fans in Morocco will have the chance this July to see Tito Villanova’s second game in charge of the team.

The friendly match is being organised by a committee made up of the Morocco sports ministry, the national society of the implementation and management of stadiums (SONARGES), a Swiss events promoter and a local sponsor.

“We have more than 50,000 supporters in Morocco with four Barcelona fan clubs and thousands of followers in this country on Facebook”- Barca vice-president Jordi Cardoner.

Spanish newspaper El Mundo Deportivo has also confirmed the Catalan club will rake up to €1 million from their trip to the Maghreb state.

Real Madrid also coming to Morocco

Days after Barcelona FC announced they would travel to Morocco for a pre-season tour, their La Liga archrivals Real Madrid have also said they would be in the north African country next month for the same purpose.

According to Spanish paper Marca, the Los Blancos will be playing a friendly match against Morocco league new champions Moghreb Tetouan on July 24, four days before the arrival of the Catalan giants.

The Moghreb Tetouan-Real Madrid friendly will hold at the Tanger stadium, according to reports.

Spanish newspaper El Mundo Deportivo has also confirmed Bracelona will rake more than €1 million from their trip to the Maghreb state.

OTHER FOOTBALL RESULTS

90-year-old Moghreb Tétouan FC won the 2011-2012 Morocco football league championship - With a total of 61 points from 30 matches, Moghreb Tétouan nailed the victory on Monday with a 1-0 victory over Rabat FUS on the last day of the elite division one league season. Rabat FUS ended the season in second place after earning 57 points. WAC Casablanca and Raja Casablanca were third and fourth respectively in the 16-team division.

With 28 and 24 points respectively, JS Massira and IZ Khémisset, are now relegated and will play in the lower division next season. It is the first time that MAT has won the title and this enable it participate in the next African Champions League.

MAT, formed in 1922, won 17 matches, drew 10 and lost only three. It scored 41 goals altogether and conceded 13.

The Final Rankings

1 MA Tétouan
2 FUS Rabat
3 WAC Casablanca
4 Raja Casablanca
5 DH El Jadida
6 MAS Fèz
7 FAR Rabat
8 OC Safi
9 COD Mèknes
10 OC Khouribga
11 HUS Agadir
12 KAC de Kénitra
13 CR Al Hoceima
14 Widad Fez
15 JS Massira
16 IZ Khémisset


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Marrakech Art Fair Runs into Problems


What is going on in Marrakech?

Something is happening in the Marrakech Arts world that has disrupted the planing of the annual Marrakech Art Fair. The organisers of the Art Fair have just announced that the event, originally planned to take place in October 2012,  has been postponed for a whole year and will instead take place in the autumn of 2013.



The organising team, headed by Simon Njami, has been in damage control mode and is trying to reassure the public that it still welcomes "new talents and will develop a formula focused on the event’s international identity as well as on its role as a platform for the contemporary arts scene."

Nobody has come out and said what the actual problems are but there are rumours of problems in two important areas. Organisers have hinted that preparations have fallen behind. But possibly of more substance is the suggestion that the organisers have lost the support of the cultural authorities. The organisers are quoted as saying that the fair needs ""significant preparatory work and the collaboration of Moroccan cultural authorities."

The official press release from the Arts Fair:

The third annual Marrakech Art Fair, originally scheduled for next October 4 to 7 under Simon Njami’s direction, has been deferred until fall 2013.

Following the success of the first two editions of Marrakech Art Fair, the organizing team wanted to provide new impetus to the fair. The organizing team has welcomed new talents and will develop a formula focused on the event’s international identity as well as on its role as a platform of the contemporary arts scene.

Marrakech Art Fair is a highlight on the art market but it has also become a place of artistic discoveries: a high level cultural circuit is organized through the city and meetings between institutions, collectors and gallery owners are proposed as part of the fair. Organizing such an event in Morocco requires significant preparatory work and the collaboration of Moroccan cultural authorities.

The organizing team is looking forward to meeting Moroccan and foreign art enthusiasts, gallery owners and partners for a new edition of Marrakech Art Fair in October 2013.


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Tuesday, May 29, 2012

Moroccan Ferries in French Limbo

A waiter enters the officers’ mess hall and, very formally, lays down a plate of lentils and mutton. Under a portrait of the Moroccan royal family, a clock strikes noon, lunchtime aboard the Bni N'sar. Near the ship’s empty swimming pool, sailors – each with his own task – are working busily with tools, ropes and other equipment, as if this were just an ordinary day.  Except it’s not.  This report from Le Monde.


KAFKAESQUE FATE FOR CREW OF MOROCCAN FERRIES STUCK IN FRANCE

In its own way, the Bni N'sar is sinking – and everyone knows it. Of course, this isn’t one of those epic catastrophes that involve a brutal storm or a deadly run in with an iceberg. Instead, the Bni N'sar is in the midst of a motionless shipwreck, one that’s being caused not by mother nature, but by people in suits and ties.


For the past five months the Moroccan boat has been holed up in the harbor of Sète, in southern France. It’s one of three ferries that have been ordered by a court in Montpellier to be seized because of debts accrued by the Tangier-based company that owns them. Stuck on board the three vessels are about 200 crewmen and their officers.

On board, everything is stopping little by little. The ships are out of fuel. The lights have been switched off and it’s getting colder and colder. There’s no hot water anymore, barely any cold water, and the toilets are sealed. The paint peels off and mussels have begun to colonize sea water pipes. The crew has not been paid for months.

Sometimes, a van delivers some food. Occasionally, when food runs out completely, the company – which is called Comanav-Comarit – sends 1,000 or 2,000 euros, just enough to allow one of the officers to buy baguettes and cans of tuna. The crew members are ashamed. “The fact that our company gave us up is like a stain on the Moroccan flag,” one crew member explains. Associations sometimes drop off clothes and food in front of the ferries, but the crew members won’t take it. “We are not beggars: we have a noble and courageous job and we should be the ones who give to others.”

Another ship claimed by debt

In Sète, like in any other harbor, these lost ships stories have become commonplace: they are everywhere, more and more every year, abandoned because of bankruptcies and failures. According to the International Transport Workers' Federation, only 6,000 of the 40,000 ships in circulation meet standards. “And the crisis is leading us to an even worse situation,” explains Jean-Luc Bou, a teacher who in 2004 helped organize a Defense Association for Sète’s many abandoned sailors.

The Marrakech - full steam to nowhere

On Jan. 6, when the Marrakech – one of the three ferries – arrived in Sète, it had just enough fuel to reach the shore – not a drop more. Comanav-Comarit had purchased the fuel on credit, digging itself even deeper into debt. In total the ferry company, which has been transporting people between France and Morocco for three decades, owes some 200 million euros. Which is why upon its arrival in Sète, the Marrakech was met by a bailiff. The day before, two of Comanav-Comarit’s other ships, the Bni N'sar and Biladi, were also grounded.

Passengers who’d gathered at the port to take the ferries back to Morocco were advised over loudspeakers that their trips were cancelled, without any refund or rescheduling. Security guards and dogs were eventually needed to evacuate the crowd.

Aboard the jammed ferries, the crew members were told the situation wouldn’t last forever. But their optimism was short-lived: the three ferries never left. Calling home has become a torturous task for some of the crew. Families, for whom money isn't arriving anymore, “constantly talk about bills that can’t be paid,” one technician sighs. Some crew members need to sell their houses and take their children out of private schools.

Each sailor for himself

The company, meanwhile, has been conspicuously quiet. It has yet to offer the stranded crew members a solution to their predicament, but warns them that they’ll be fired if they complain. Only Hervé Parage and Jacques Casabianca, two French captains who take turns at the head of the Bni N’sar, allow crew members to speak openly about the problem and let journalists go onboard. When Hervé Parage tries to consult officers from the two other ferries, they tell him to mind his own business.

Aboard the ferries, each captain has begun to decree his own laws. On the Biladi, young crew members were not allowed to come ashore for weeks. The captain is Croatian and he speaks neither French nor Arabic. He watches TV all day, holed up in his cabin, the only place on the boat that still has electricity. Another officer soon took power, instituting an 11:30 p.m. curfew.

Marrakech’s captain, Ahcen Nabil, 53, tries not to complain. The company doesn’t take his calls and he doesn’t try to gather his men anymore because he has nothing to tell them. For him, commanding a stationary boat is even worse than facing a storm on the high seas.

An Italian company is expected to take over the Tanger-Sète service soon. That will bring traffic back to Sète’s harbor, which has a shortfall of 1.5 million euros because of the lack of ferries and their 200,000 annual passengers. But the future of Comanav-Comarit’s ferries and crew members is still unclear. “If we leave, it’s over. There’s no way for us to keep our jobs and to get our wages,” a sailor says. Some of them are afraid to go back home, because of their debts. A repatriation plan is under consideration.

In another corner of the harbor, a landing dock has been nicknamed “the oblivion pier.” This is where abandoned ships come to die. The Marrakech could be headed there soon. In the meantime the situation is becoming less like something from Kafka and more like Waiting for Godot nothing is happening.

Read more from Le Monde in French.


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Moroccan Inspired Cocktail Wins in Marrakech



Beldi – David Wolowidnky’s winning cocktail

Bombay Sapphire's World’s Most Imaginative Bartender Competition was held recently in Marrakech. The winner, David Wolowidnyk of Canada was selected from thousands of contestants overall and eight finalists from Canada, Japan, Singapore, South Africa, Spain, the United Kingdom and the United States. The bartenders took part in a four-day experience, visiting the Moroccan home of one of the Bombay Sapphire botanicals - coriander - and exploring the world of the historic gin.

The finalists
The competition itself took place on the last evening of the experience at the beautiful Dar Sabra villa in Marrakech. Each bartender was tasked with creating their most imaginative cocktail - combining their individual influences with the cultural experiences they had experienced throughout the trip.

Bombay Sapphire Global Brand Ambassador Raj Nagra hosted the competition and commented: "By hand-selecting the most creative talent from behind the bar, the competition not only challenges them, but also aims to support them on their journey to becoming the most imaginative bartenders in the world. Just as Bombay Sapphire is inspired by the infusion of its 10 exotic botanicals, we look to inspire bartenders all over the world."

David was a worthy winner, adding his own unique flair and style to his cocktail, the Beldi. In addition to receiving the "Bombay Sapphire World's Most Imaginative Bartender" title, David also earned a place in the Bombay Sapphire Cocktail Hall of Fame, partaking in various duties, including attending the 2013 opening of the new Bombay Sapphire distillery at Laverstoke Mill in England and becoming part of the Bombay Sapphire World's Most Imaginative Bartender judging panel for next year's competition.

David Wolowidnyk at work in Marrakech

Beldi - David Wolowidnyk's Winning Cocktail Recipe


Ingredients

-- 45ml Bombay Sapphire infused with Moroccan Saffron and Ginseng
-- 20ml Martini Bianco cold steeped with 1 tsp Moroccan Mint Tea and 6-8 fresh mint leaves
-- 15ml Cinnamon/Cassia Syrup
-- 2 dashes Lem-Marrakech Bitters - exclusively produced beforehand by "Kale & Nori"

Misting

-- Toasted Moroccan coriander tincture

To garnish

-- Lemon zest, with the star from Moroccan flag cut into it

Method

-- Combine Bombay Sapphire, Martini Bianco, Cinnamon/Cassia Syrup and Bitters
-- Stir with ice in a mixing glass
-- Mist the toasted coriander tincture into the chilled glass
-- Strain into a chilled glass, garnish with a lemon zest and mist tincture again over the surface


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Monday, May 28, 2012

Contemporary Dance in Fez

Choreographer Nacera Belaza and her dance company performs on Tuesday May 29 at 7 pm in Fez at Complexe Culturel Al Houria. Her award winning contemporary dance is inspired and informed by her Muslim faith. 




Of Algerian descent, Belaza says, "I dance with my faith. It took me nearly 20 years of my life to find spectacular ways to do so." She says she doesn't perceive her religion as a thing apart, but "a way of making links to others and to life".

In 2008, her dance piece, The Scream, won an award from the Union of Theatre, Music and Dance Critics, and she followed it up with the works The Sentinel and Sealed Time. Her dances have been presented worldwide in Europe, the Mediterranean Basin, Africa, Asia, Indonesia and North America.

Compagnie Nacera Belaza is presented by the French Institute. Ticket cost: 20 dh.

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Sunday, May 27, 2012

Fez Fashion Day

Saturday evening’s Fez Fashion Show went off without a hitch. Planned to be the first of many, it was attended by a crowd of around 200 and was held in the luscious surrounds of Jardin des Biehn in the Fez Medina.

The show featured the work of three designers – Karina Duebner from Fez; Mahmoud Benslimane from Tangier and Bangkok-based Anan Sorsutham. It was co-sponsored by the French Institute in Fez, Fashion Maroc.com and Mode magazine.

The three collections were extremely diverse; from the rich fabrics of Central Asia by Duebner’s label Tamerlane’s Daughters, though to Benslimane’s contemporary versions inspired by traditional Moroccan styles, finishing with more classically structured pieces by Sorsutham, with his label Moi Anan.

Karina Duebner models one of her stunning creations

To begin the event, Duebner took to the catwalk, and her half-German, half-Kazakh features set the tone perfectly for the 13 looks on show. Her garments were intended to evoke the “brutality, splendor and romanticism” of the era of the 14th century conqueror of Central Asia, Tamerlane.




They did this with richly embroidered and patterned fabrics (some antique) crafted into contemporary garments, often with unusual shapes and detailing. Duebner sources her fabrics from Kazakhstan, Uzbekistan and Turkey, along with some antique Persian and Ottoman pieces, meaning each garment is a one-off.

Mahmoud Benslimane
Mahmoud Benslimane’s garments use Moroccan embroidery, on fabrics such as satin and silk, to give a fresh take on traditional designs. While his female models wore Maghrebi-style designs, his male model wore two pieces inspired by nomad clothing.



Thai designer Anan Sorsutham’s collection was last on the catwalk.


He takes classic shapes, such as suit jackets and dresses, and gives them a bold new look through the use of techniques such as asymmetrical detailing. His palette was more restrained than the other two designers - beige, black and white, offset with flashes of red. He has done a number of collections for Paris Fashion Week.




Given the success of the event and the potential for showcasing local and international designers in such a picturesque and pleasant setting, this is likely to be the first of big things to come on the fashion front in Fez.

Where to buy? Karina Duebner’s creations are sold through Couture Lab in London and on-line through Tamerlane’s Daughters. Anan Sorsutham’s designs can be purchased online through Moi Anan. Mahmoud Benslimane’s creations are available through selected boutiques in Tangier.

See behind the scenes here

Photographs: Suzanna Clarke & Sandy McCutcheon
Story: Suzanna Clarke

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Behind the Scenes at a Triumph of Fez Fashion

On Saturday The View from Fez was granted access behind the scenes at the first fabulous Fez Fashion Day. Our fashion contributors, Paulo Giglio from Rio and Laetitia Bissette-Brodeur from Paris, report.

The 26th of May will go down as the day that Fez put the fasionistas of Marrakech on notice. Fez pulled a rabbit from a fur hat and, firmly stamping its stiletto-heeled boot down, said, “Fez is fashion!”

Jardin des Biehn

How inspiring it was to have a runway that wove through the magic Jardin des Biehn, filled with flowers trees and divine-sounding birds. In fact, in the tense moments before the show began the birdsong provided the perfect accompaniment to a gently bubbling glass of Ouelmas. As a colleague said, ‘The music of the birds is like Veuve Clicquot to my ears!”

The perfect setting - outfit byAnan Sorsutham 

In the dressing rooms it was another story. Knowing the eyes of the fashion world had finally caught on to the fact that Fez was not simply a beautiful location for a photo-shoot, but rather a bubbling crucible of design talent, added a tantalisingly tangible frison. “I have hardly eaten all week,’ said model Vanessa Bonin.


Hairdressers, makeup artists, dressers and stylists worked for hours in preparation. Every last touch was attended to and finally the moment had arrived when the backstage manager, Robert Johnstone, opened the door and the show began.

‘It’s all about timing,” said Johnstone, who had been selected by the models themselves as the only man behind the scenes. ‘They are dressed, groomed, makeup checked, earrings attached and voila, then I dispatch them.”

Count down backstage - designer Karine Duebner (centre)

Outside in the garden, the MC introduced the first designer, the music started and the show was on.

From the first appearance of a Karina Duebner outfit, the A-list audience knew they were witnessing something special. The Kazakh inspired Tamerlane's Daughters designs were breathtakingly bold, with the cut, stitching and fabric of every garment - perfect!  This was no tilt at ethnic chic, but the real thing. With superb fur hats, one felt the ghost of Genghis Khan looking down approvingly.

Host Michel Biehn

And so it went; three designers, three unique visions and all delivered with stunning aplomb - no falls, no costume malfunctions, no tears!

It is to be hoped that this is the first of many fashion events in Fez and, if the response from audience and fashion writers is anything to go by, it most certainly will be.

SEE FULL REPORT AND PHOTO ESSAY HERE

Photo credit: Suzanna Clarke
Story: TVVF

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Omar and the Lawyer


Dr. Omar was called to give expert evidence in a recent court case.

Lawyer: Dr. Omar, before you performed the autopsy, did you check for a pulse?
Omar: No.

Lawyer: Did you check for blood pressure?
Omar: No.

Lawyer: Did you check for breathing?
Omar: No.

Lawyer: Aha! So, then it is possible that the patient was alive when you began the autopsy?
Omar: No.

Lawyer: How can you be so sure, Doctor?
Omar: Because his brain was sitting in a jar on my desk.

Lawyer: But could the patient have still been alive nevertheless?
Omar: It is possible. If so, he would be alive and practising law somewhere.

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Saturday, May 26, 2012

Islamists in Power - A Work in Progress


The success of Islamist parties in countries in transition is causing a lot of angst, both among secularists in the region and observers in the West. The questions raised tend to be stark, demanding absolute answers. Is there such a thing as a moderate Islamist party, or do they all aim at eventually setting up a full-fledged Islamic state? Do they accept the values of democracy, rather than simply the electoral process, as a means of gaining power? Would they surrender power if they ever gained control of the government? Would they uphold personal rights or attempt to mold society after their own values? A recent encounter in Washington between Carnegie scholars and representatives of Islamist parties from Egypt, Tunisia, and Morocco produced some interesting conclusions.



Morocco's PM Abdelilah Benkirane

The largely moderate Islamist parties seem to be evolving rapidly as they learn to navigate through the difficult politics and the uncertain democratic processes of their countries. They are truly works in progress, and their evolution will likely be affected the way secular parties and to a lesser extent the international community react to them.

Islamist parties appear to be truly national. There does not seem to be an overarching “Islamist International” to which they all belong, and they do not even seem to be in limited contact with each other. At the conference in particular, we felt that we knew more about them than they know about each other.

The Islamist parties that participated in the encounter — the Freedom and Justice Party (FJP) in Egypt, Ennahda in Tunisia, and the Party for Justice and Development (PJD) in Morocco — have common ideological roots in the Egyptian Muslim Brotherhood, founded by Hassan al-Banna in 1928. The ideas propagated by the Muslim Brotherhood spread quickly to other countries in the Middle East, and organizations inspired by it arose throughout North Africa and the Levant. Despite the spread of the ideology, the Egyptian Muslim Brotherhood remained a national organization, deeply involved in domestic proselytizing and charitable activities, and in periodic clashes with successive regimes.

Muslim Brotherhood–inspired organizations in other countries always had a similar domestic focus. It is only among the more radical, violent groups that international networks developed, for example to recruit volunteers for jihad in Afghanistan or Iraq.

The call for change in Tunisia was universal

Conference discussions showed that this domestic focus is still very evident today. Though Islamist parties in Tunisia, Egypt, and Morocco—which are now in the government or at least in parliament—face similar policy issues, there is no indication that they are consulting with each other on how to address them, or that they are particularly interested in finding out what other parties are doing. Each party is wrapped up in the domestic problems and the specific political dynamics of its own country.

The issue of sharia illustrates the point. Whether or how the constitution should mention sharia is the hottest ideological issue that Arab countries in transition face. It looms large in the relationship between Islamists and secular parties and is a major cause of anxiety among the secularists. Each of the three parties has different solutions, very much rooted in the politics of its country.

In Morocco, where the new constitution was written by a commission appointed by the king, the PJD did not lobby for the inclusion of sharia in the text. Instead it accepted the definition of Morocco as a Muslim state and Islam as the religion of the state as good enough—though some PJD officials claim that they would have preferred language defining Morocco as a “civil state with an Islamic reference.” They supported freedom for other religions as well. Ennahda also decided to forego any mention of sharia, settling instead for the neutral language of the 1956 constitution that simply states that “Islam is [Tunisia’s] religion.”

In Egypt, however, where the constitution has not yet been written, sharia will certainly be prominently mentioned as a source of legislation. The simple reason is that all major parties and all presidential candidates support the idea explicitly in their platforms.

Islamist parties, with the partial exception of the Moroccan PJD, still show signs of their previous isolation, both within their own countries and internationally. Government repression and the policies of the United States and European countries forced them to stay in their own bubbles. Not all Islamist leaders at this point are familiar and comfortable with the world outside the bubble.

Domestically, Islamist movements and political parties have experienced long periods of repression, with many of their leaders exiled or imprisoned repeatedly or for long periods. The exception to this history of repression and isolation is the PJD in Morocco, which was allowed by the king to become an officially registered political party in 1992 and has operated legally and openly since then, gaining exposure to the rest of Moroccan society and the world.

Counting votes in Egypt

It is in the interest of the international community as well as of secularists in Arab countries to do everything possible to pierce the bubble that still surrounds part of the Islamist leadership. Islamists need to be integrated as much as possible in all domestic and international fora to understand what is acceptable or not acceptable elsewhere. The point is not to teach Islamists to hide their true opinions, but to help them to confront the choices they face and the reality of functioning as political parties in the real world. They may well choose to challenge dominant ideas deliberately and as a matter of principle, but this process of engagement will at least provide greater clarity about their choices.

Islamist parties are different from each other, but doctrinal differences are not the most important factors setting them apart from each other. Rather, what shapes these parties are the conditions in which they operate: the support they have, the reaction of secular political parties to them, and whether they have government responsibilities.

Ideologically, the three parties are similar. They have rejected explicitly the idea of using force to gain power and are now committed to political participation. A corollary of political participation is the acceptance of pluralism and of the democratic process—though critics contend that such acceptance is purely opportunistic and that Islamists will renege on pluralism and democracy once in power. Another corollary, as pointed out earlier, is that they have accepted the reality of the division of the Muslim world into nation-states and that they have become national parties.

Politically, however, there are differences, particularly concerning the relationship between a given political party and the religious organization that spawned it. In Morocco, the PJD is quite separate from the religious organization Harakat al-Tawhid wal Islah and has been for many years. Indeed, the party is doing its best to be a normal political organization.

 The PJD is focused on how to translate the principles contained in the new constitution into policies—and how to maintain its political support in doing so. Ennahda is focused on getting the constitution approved and devising an economic policy to address pressing problems of poverty and unemployment. Their concerns are immediate and practical.

By contrast, the Muslim Brotherhood and the FJP have not really begun to focus on policy issues, reflecting the political situation in Egypt, where the fundamental issue of the allocation of power among the military, an Islamist-dominated parliament, and a soon-to-be-elected president is still unresolved.

Islamist parties face mobilized populations in their own countries and need to take the views of the public into consideration. The possibility that Islamist parties will simply cancel elections in the future to perpetuate their position appears unfounded, the result of fear rather than a realistic possibility.

Opponents claim Islamist parties will use the democratic process to win power but never allow elections to take place again—one person, one vote, one time. In reality, Islamist parties in Tunisia, Morocco, and Egypt assume that they will face the electorate again and that they need to maintain the support of voters, who have become more politically conscious and mobilized with the events of 2011.

Ennahda in Tunisia will face elections in March 2013 because the Constituent Assembly was designed to have a short mandate. The date of those elections has already been set. Under the present circumstances, it is all but unconceivable that elections could be cancelled. Popular reaction would be swift and the party would undermine itself. In fact, Ennahda is careful not to give the impression that it intends to stay on past the original mandate, for example dividing its economic plans into short-term goals for this year—outlined in a supplemental budget request—and a longer-term program describing what it would do if reelected.

In Morocco, elections have taken place regularly for decades, although they have not always been free. Given the well-established tradition and the continuing power of the palace, new elections are a certainty. The PJD is also acutely aware that its performance now will affect the next elections, having experienced once already how easy it is to lose votes. In the 2007 elections, the party received 1 million votes fewer than in 2002 because a large number of voters, disgusted with the incapacity of the parliament to address problems, stayed home or, worse, cast deliberately spoiled protest ballots.

Egypt presents the most complex picture. Islamists so far they have little power despite their large majorities in parliament. Power is in the hands of the military and state institutions, including the judiciary, controlled by members of the old regime. Should the Muslim Brotherhood candidate win the presidential elections, Islamists will still be struggling for power with the military.

In the end, are these Islamist parties moderate?

If we judge them by what they say and above all what they have done so far, rather than by what some fear they might do, the PJD, the FJP, and Ennahda are moderate. This is the case for a number of reasons:
  • They do not advocate violence

  • They recognize the legitimacy of organizations championing different points of view

  • They have all accepted the rights of women, and as a matter of fact, they have done much more to promote women in political posts than secular parties

  • Neither Ennahda nor the PJD has insisted that sharia be declared the basis of legislation, while the Egyptian Muslim Brotherhood demands that sharia be declared the source of legislation, as do all secular parties

  • None of them advocates the implementation of huddud, the fixed punishments prescribed by Islamic law that include the amputation of thieves’ limbs and the stoning of adulteresses

  • None of them has advocated the imposition of Islamic dress on women, although they certainly look favorably upon it

  • Though they have not done anything that suggests a radical social or political program, reasons for concern remain: these organizations are Islamist and thus Islam is their frame of reference; and they are part of societies with a long authoritarian tradition and no established democratic ways. In Egypt, Tunisia, and to some extent Morocco, authoritarian answers to problems are still the default setting—for Islamist and secular parties alike.

    There is an inherent tension in all these parties between respect for Islamic principles and traditions and the commitment to democracy. It is the familiar tension between the absolute principles of religion and the pragmatic accommodations of democracy that exists in all countries where religion remains a point of reference in political life, as in the United States or in parts of Europe with strong Christian Democratic parties. The tension may be even greater at the level of the general populace than at the level of the leaders and theorists who have been thinking for years about how to reconcile Islamic principles with those of democracy.

    The tension becomes quite evident at times, particularly in Egypt, where there is still resistance in the Brotherhood to the idea that a woman or a Copt could become president. Similarly, the idea that religious authorities should judge whether specific laws are compatible with sharia keeps reemerging.

    On some issues, for example concerning the rights of women, culture will also remain an obstacle. Tunisia is the most secular of the three countries, but politics is still dominated by men, with only Ennahda making a major effort to increase women’s representation in political life. And questions remain about the commitment of these Islamist parties to personal rights. A categorical position against any interference in personal rights seems to still be lacking, although Ennahda and the PJD appear to be closer to such a commitment than the FJP.

    Campaign posters in Morocco

    The road to democracy is still very long and rocky in these countries, and not all stones have been placed there by Islamist parties. After all, the ruling elite and secular parties of the Middle East have not been committed to democracy either. The Nasserist, Baathist, nationalist, and monarchist regimes in the region have not been democrats, and the presence of women in secular political parties in the Arab world has not exceeded that in Islamist parties. There is no doubt that without a commitment to pluralism, societies in the Middle East cannot hope for constant renewal, sustainable development, and individual and group rights. That commitment, however, must be expected of everyone equally—whether Islamist or secularist.

    Story:Marina Ottaway and Marwan Muasher
    The article above has been edited. Read the full article here

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